Paris Blues


Action / Drama / Music / Romance

Rotten Tomatoes Critics - Certified Fresh 67%
Rotten Tomatoes Audience - Upright 67%
IMDb Rating 6.7 10 2479

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Uploaded By: OTTO
July 21, 2014 at 11:07 AM



Paul Newman as Ram Bowen
Joanne Woodward as Lillian Corning
Sidney Poitier as Eddie Cook
Diahann Carroll as Connie Lampson
720p.BLU 1080p.BLU
753.06 MB
English 2.0
23.976 fps
1 hr 38 min
P/S 1 / 3
1.44 GB
English 2.0
23.976 fps
1 hr 38 min
P/S 1 / 6

Movie Reviews

Reviewed by Nazi_Fighter_David 7 / 10

The film's great asset was the fascinating background music

The story is about two young jazzmen Newman and Poitier who live in Paris…Newman is after a serious musical career… Poitier enjoys the tolerant atmosphere and the freedom from U.S. racial tensions… They work at a Left Bank cub owned by Barbara Laage who is having a casual affair with Newman… Serge Raggiani a gypsy guitarist who is a narcotics addict, and Louis Armstrong a trumpeter, are among their friends… Newman and Poitier meet a couple of American tourists, Joanne Woodward and Diahann Carroll who are visiting Paris on a two-weeks vacations…

A romance develops between Poitier and Carroll… Woodward and Newman also find that a feeling is growing between them… Woodward wants him to return with her to the U. S., but Newman believes that marriage would interfere with his career, and decides to remain…

As in "The Hustler," Newman plays a man whose devotion to making his talent better than second-rate prevents love… But he was natural as the pool player, and convinced us—through his movements, dialog and expressions—of his feelings for the music…

Woodward is more aggressive than Newman… Moved by his music, she displays genuine emotion, but Newman is so defensive, egocentric and selfish that he becomes hostile, stubborn, unpleasant and offensive… Woodward is determined to make something more of it, but he remains uninfluenced—willing to show slight affection but incapable of being sincerely tender… In their final bedroom scene, the two superb1y perform a progression from spontaneous domestic affection, to growing alienation, to his indifferent rejection of her love…

Legend Louis Armstrong shines in one flamboyant jazz interlude

Reviewed by rps-2 10 / 10

They don't make 'em like this anymore

For starters, this is one of those rare movies that would not have been as good if it had been shot in colour. B&W somehow fits the mood, the story and the setting. Yet it's not really a sad or dark story. As in many older B&W films, the lighting is magnificent with highlights and shadows and textures that simply aren't workable in colour. The performances are universally superb. The script is free of the usual clichés. And the music is great. (How could you possibly make a bad movie with the likes of Louis Armstrong, Paul Newman, Joanne Woodward, Sidney Poitier and Diane Carrol?) Nor, in that era (1961), did Hollywood zoom in and linger obsessively on sexual acrobatics. This is a mature, sexy film without any graphic sex. Those were the rules back then and this film is the better for them. A thoroughly enjoyable movie with a great cast that has stood the test of a half century very well indeed.

Reviewed by mike dewey 8 / 10

"Bluer" than meets the eye (or ear)

This is not merely a movie about race, jazz, drug use, love affairs, Parisian scenery, etc. It's a movie about all the aforementioned and then some. Ritt & Co. go deeper than just superficially touching on so-called hip, trendy issues. Each character portrayed has his/her own set of "blues" to contend with and no individual set of "blues" is merely confined to one sole issue, but rather a complex mixture of many factors that comprise each of our character's makeup. It is in the intertwining of each character's individual persona with the other characters' own traits and idiosyncrasies that lets the story unfold and take cohesive shape. Successes and failures are inextricably linked, as in Ram's (Newman) fame as a jazz soloist counterpointed with his rejection as a serious composer/arranger. Eddie (Poitier) also has his own set of personal conflicts that are duly explored here.

Joanne Wodward, Diahann Carrol and Barbara Laage (in a more minor role, albeit soulful and penetrating) all hit their mark with humor, depth and candor. Serge Reggiani's role as the junkie guitar player adds his own set of "blues" to an already spicy mixture of music, love, rejection and pathos. "Satchmo" and company provide a most welcome musical interlude at just the right time to lighten up the plot just a bit!

A timelessly entertaining film.

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