Sea Fever


Horror / Sci-Fi

IMDb Rating 6.1 10 175

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Uploaded By: FREEMAN
April 10, 2020 at 12:04 PM



Dougray Scott as Gerard
Connie Nielsen as Freya
Hermione Corfield as Siobhán
720p.WEB 1080p.WEB
869.15 MB
English 2.0
23.976 fps
1 hr 34 min
P/S counting...
1.74 GB
English 5.1
23.976 fps
1 hr 34 min
P/S counting...

Movie Reviews

Reviewed by Mamabadger56 8 / 10

Above average sea-monster tale

This simple horror film takes the age-old fear of the sea serpent, modernizes it, and takes it to new heights. It starts with an unlikely heroine, nerdy graduate student Siobhan, who loves studying oceanography in virtual forms, and has to be pushed to get on a boat and examine it in real life. She finds herself on a small fishing boat, ill at ease with the boisterous crew, who start by exclaiming over the bad luck she, as a redhead, will bring to the voyage. Other seafaring myths and legends are of interest, including one, told to Siobhan by the boat's co-owner, Freya, which becomes relevant to the story. Some of the footage of undersea life not only further the story, but are remarkably beautiful. Siobhan does her best to fit in, and does make a connection with one or two of the crew members. Things take a sinister turn when the ship is impeded by a creature completely unfamiliar to either Siobhan or the crew. The more they investigate, the more dangerous the animal becomes. Suspense builds as the sea creature's intentions and abilities are gradually revealed, Siobhan tries to understand the creature's nature and possible weaknesses, and the crew works frantically to escape or summon help. The director has the sense to keep the monster mysterious as long as possible, adding to the tension. It's a well made, well acted, slow-burning horror story.

Reviewed by andrewjking-27373 8 / 10

Familiar setup but surprisingly unique

A meek science student put on a dirty fishing boat to do marine life research, is the fish out of water turned heroine in this thriller/drama about a deep sea creature out to get them all.

Great characters, look and feel. The lead was fantastic although came close to being the cliche infallible strong female lead. Some more flaws may have given some more depth to her character.

Creepy, engaging, sincere and even thought provoking.

Overall, well executed and worth a watch!

Reviewed by Bertaut 7 / 10

An impressive eco-thriller that could do with more clearly delineated characters

The debut feature from writer/director Neasa Hardiman, Sea Fever examines such issues as humanity's disregard for the size of our ecological footprint, the knee-jerk argument that if something hitherto unknown can't be exploited for profit then it should be destroyed, and Mankind's utter insignificance in the face of the wonders of nature. Heavily influenced by Alien (1979), The Thing (1982), and David Cronenberg's body horror films, it could do with some refinement, especially in terms of characterisation, and the dénouement is a little anticlimactic, but Hardiman gets the atmosphere spot on, and overall, this is an impressive debut.

Siobhán (Hermione Corfield) is an all-work-and-no-play doctoral student studying marine biology. A socially awkward introvert, she's not at all happy with she's told that she needs to get practical experience outside the lab and so her professor has organised for her to join a fishing boat. The boat in question, the Niamh Chinn-Óir, is owned by Freya (Connie Nielsen) and captained by her husband Gerard (Dougray Scott), but it hasn't been doing too well recently and money is tight. However, Gerard has been tracking a huge shoal of fish and believes their luck is about to change. Upon sailing, Gerard sees that the shoal has moved into an exclusion zone, but without telling anyone, he too enters the zone. No sooner has he done so when the Niamh hits something and becomes entangled. Investigating the collision, Siobhán is stunned to see huge bioluminescent tentacles arising from the deep and attached to the hull. Back on board, she's thrilled to announce they may have encountered a creature unknown to science, but when it becomes apparent that the tentacles are secreting dangerous microscopic parasites onto the Niamh, the crew find themselves in a fight for survival, where their greatest enemy is one another.

In a post-screening Q&A with Hardiman at the film's Irish première, she said that one of the main ideas behind the story was to offer a corrective for films which demonise or are critical of the scientific method. In this sense, there's a lot more hard real-world science than you might expect, including some fairly detailed discussions of the possible biochemistry of the creature and hypotheses as to why it behaves the way it does. In the latter half of the film, a lot of time is given over to discussions of whether the Niamh should head back to Ireland, with Siobhán trying to make the others understand the devastating ramifications that could result from introducing the parasites into a population centre. All of this doesn't quite position the film in the realm of science-fact, but it certainly helps to lend the narrative a stronger sense of real-world verisimilitude.

Science is also important thematically insofar as one of the main issues explored is that the creature may not be acting aggressively in attaching to the Niamh; it's simply trying to survive, and even the parasites aren't a form of attack. In this way, Hardiman refuses to demonise the creature, and from the moment of its discovery, Siobhán consistently argues that the crew must protect it, which is not what you expect from this type of film. On the other hand, Gerard sees it in more black and white terms; initially as something to be used for profit, and later as something to be destroyed.

Aesthetically, there's a merciful absence of jump scares and, apart from one scene, there's very little gore. Instead, the film's horror elements are based more in the intricate sound design, Ray Ball's production design, and Ruairí O'Brien's cinematography. The three work in tandem to make it impossible for the viewer to ever forget that we're on a ship isolated at sea - from the constant creaking and sound of lapping water to the claustrophobic quarters (the Niamh is so small, it only has four beds) to the handheld and often dimly lit photography that imbues every shadow with a sense of the unknown.

In terms of problems, the most significant is that even given the small cast, there isn't a huge amount of character differentiation, with the Niamh's crew largely interchangeable. One of the reasons films like Alien and The Thing are considered classics is because of how good the character individualisation is - every person in both of those films is a distinct individual with a clearly defined set of character traits. Their traits aren't painted in minutiae, but they are painted in strokes clearly differentiated from the others. The absence of this in Sea Fever isn't as bad as in, say, the laughably bad Prometheus (2012), but it's still very light on individualisation, which makes it harder to care about these people, which makes them feel expendable, a potential death sentence for a film of this nature. Thankfully, it doesn't come to that here, but with just a little more work on the screenplay, the whole film could really have been elevated into something truly special. Another small gripe I have is that the conclusion is pretty anticlimactic; it works very well thematically, but it's a bit weak in terms of drama or tension, and it feels somewhat rushed.

Mixing body-horror with elements of a creature-feature garnished with some eco-friendly themes, Sea Fever is a very enjoyable film and an impressive debut feature. Although its broader genre beats offer nothing we haven't seen before, it still manages to feel like its own thing with its own things to say. It could do with a better balance in terms of the plot/characterisation ratio, but the unexpected focus on science and ecological themes mean it rises above the monster movie clichés you might expect, which should help it to stand out in a crowded field.

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