Black Moon

1975 [FRENCH]

Fantasy / Horror / Mystery / Sci-Fi

0
IMDb Rating 6.3 10 5077

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Synopsis


Uploaded By: FREEMAN
February 21, 2021 at 04:34 AM

Director

Cast

Joe Dallesandro as Brother Lily
Alexandra Stewart as Sister Lily
720p.BLU 1080p.BLU
921.03 MB
1172*720
French 2.0
NR
23.976 fps
1 hr 40 min
P/S counting...
1.67 GB
1744*1072
French 2.0
NR
23.976 fps
1 hr 40 min
P/S counting...

Movie Reviews

Reviewed by Boris_G 8 / 10

A nightmare of the '70s

In the mid-70s when this film was made there was - in the real world - a 'battle of the sexes' with militant feminism in full swing (if not an actual 'war', there was a lot of bruised feelings and anger in the air - witness works of fiction like 'Who needs men?' and 'The Woman's Room'); the student riots of the late 1960s were a fresh memory, as were images of Vietnam (and for British viewers, the latest IRA atrocities). Black Moon may not 'make sense', but it's more understandable as a dream, from beginning to end (forget the idea that any of it is meant to be set 'in the near future'), by a pubescent girl, subconsciously worried by the apparent war between the sexes and disturbed by her budding sexuality (note the juxtaposition of the idealised vision of heterosexual love, presented by music from Wagner's Tristan und Isolde first heard on the car radio, quickly followed by the shocking images of war).

As mentioned elsewhere, this is beautifully filmed, and IMHO captures beautifully the quality of dreams where one event follows another in a 'stream of consciousness' manner (yet with certain obsessive themes), and the dreamer does everything as if it were the most rational thing to do (as one does in a dream). On first viewing I suspected this film to be a rather self-indulgent exercise, but there's a strangely compelling quality about both the narrative and the beauty of the actual cinematography. Highly recommended.

Reviewed by scott-2070 7 / 10

A filmed allegory

It's the last war on Earth, men and women are the last opposing armies, and when they've killed each other, humankind will end. The girl Lilly, a virgin, not yet a woman, not yet a combatant tries to escape the carnage. She's looks human, but she really isn't quite, she has such fine senses that she hears plants cry out in pain. For a time she escapes the war, and lives outside of reality.

She sees a rough and tumble unicorn, and makes her way to a ramshackle farmhouse. She finds an old woman there. The old woman symbolizes the World or History or perhaps Civilization. The twin man and woman, both named Lily, that attend the old woman stand for the male and the female forces of civilization. The horde of little children symbolize human impulses or dreams that aren't yet clothed in ideas or form.

After the unicorn talks to Lilly in the garden, he becomes disgusted and says "I won't be back for 154 years"

The old woman dies and Lilly eventually takes her place. The old world dies and the new world is reborn.

Some of the animal symbols: The unicorn's horn is an antidote to poison, and represents healing of the world from biological or radioactive warfare. The eagle is the oldest being perched on top of Yggdrasil - the Tree of Life in Norse Mythology. The Eagle watches and remembers everything that's happened in the world, and then finally dies at Ragnarok - Götterdämmerung - the destruction and rebirth of the world. (Possibly the picture on the wall of the hero cutting down an eagle in the air, and slicing off it's wing refers to Finga, a hero who wore a single eagle wing on his helmet, who appears in Gaelic mythology and the poems of Ossian) The Black Horse is a symbol of Death by Famine. The sacrificed lamb symbolizes the death of the innocent or blameless.

Lilly recalls the mythic Lilith, the "first wife of Adam" , the owl demon who had little milk, who wouldn't defer to Adam, and defended her right to be his equal. Astrologers referred to the dark side of the moon as Lilith.

The twins that fight at the end could represent Líf and Lífthrasir (from the same root word as Life), brother and sister, last man and last woman on Earth that will repopulate the world after Ragnarok. Or maybe not, since we don't see any other humans after Lilly takes to bed, just teeming flocks of sheep and turkeys outside the house.

Reviewed by [email protected] 7 / 10

A September Allegory In Allegro

Working late hours sometimes can provide a movie buff with unexpected rewards: for example, getting off at 11:00 PM means getting home in time to fix a cup of hot chocolate in hopes of an early visit to Dreamland. Or it can mean being comfortably wide-awake, and stumbling across a rarely-seen film gem by Louis Malle. Or getting to view a rarely-seen cinematic conundrum also created by Louis Malle.

That would be "Black Moon," made in 1975 and featuring Joe Dallesandro and Cathryn Harrison, grand-daughter of Rex Harrison, and a gaggle of naked children running wild with a large white pig. And a talking unicorn. And a manor house where something is always cooking.

Without a doubt, Malle's "Black Moon" is one strange and beautiful movie concoction. Labelling it as futuristic is entirely inappropriate, as it is set in modern ( but pre-Internet ) times. Released in September of 1975, the film takes place in the French countryside, and begins with a young woman racing along a deserted highway while trying to find something on the car radio. Within minutes, she encounters a military roadblock where she sees soldiers ( some wearing gas masks ), executing their prisoners, who are all female. Although she's dressed like a man, it only takes a flip of her hat to reveal her long blonde hair and so she bolts the scene in her little red car. She races through a field with bullets flying past her. Eventually this young woman, Lilly, comes to a dead end on a dirt road, very near to a manor house. It is there she first sees the unicorn and then a flock of sheep.

What little dialog there is in this movie, is in English, with a few lines spoken in German or Italian by Therese Giehse, the veteran character actress from Germany. She plays an elderly invalid who talks to animals, or to people unseen, on her two-way radio. It is up to a very young Cathryn -- then only fifteen during production -- to carry this hallucinatory tale. Along with Giehse, who stars as the crazy old lady of the manor house ( surrounded by sheep, goats, pigs and the naked feral children ), Dallesandro and Alexandra Stewart as Brother and Sister Lilly round out the credited cast.

The photography for "Black Moon" is sumptuous. The plot, if there is one, is so close to being a cinematic hallucination as to make the viewer positively giddy. Harrison is so very luminous and beautiful that it brings up the guiltiest feelings, upon discovering she was only sixteen, when it was released in September of '75.

Near the end of this puzzle on film, there's a long section of Wagner's "Tristan and Isolde", which is sung in the middle of the night, by two children, as Lilly plays the piano. When it ends, the new day is breaking and shortly after that, the "reality" of the war comes crashing down with shell bursts and the rat-a-tat of submachine guns in the fields around the house. At this point, the cranky old lady has disappeared, the unicorn has reappeared for about the fourth time, and Lilly closes the window and retreats into the on-going hallucination of this manor house.

And then, the film freeze-frames on an image of her beautiful face and penetrating eyes, and then simply fades away. The viewer never gets to know what happens with Brother and Sister, nor what becomes of the rampaging feral children and their huge white pig.

In that regard, "Black Moon" ends and ends up being almost wholly unsatisfactory !!

However, the rest of the 100 minutes of this film are so well-crafted, and Cathryn Harrison is so appealing, that the final state of confusion seems to be less like a cop-out than an appropriate way to end a film which, after all, has no plot at all. And it must be said that despite the hallucinatory quality of "Black Moon," it is not a movie about taking drugs, or tripping, or going cold turkey from drugs, and there isn't so much as one cigarette in the whole film.

And, also, no, there's no clue as to what "Black Moon" really means, and the context of the film never discloses the purpose of the allegories contained within it. It's not a parable. There's no real story and therefore it has no "moral to the story."

It is only certain that there's absolutely no connection whatsoever to the Fay Wray horror-flick of the same name, from 1934.

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