Days of Being Wild

1990 [CN]

Crime / Drama / Romance

4
IMDb Rating 7.6 10 18387

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Synopsis


Uploaded By: FREEMAN
March 03, 2021 at 12:12 PM

Director

Cast

Tony Chiu Wai Leung as Chow Mo-wan
Maggie Cheung as Su Li-zhen
Andy Lau as Tide
720p.BLU
871.43 MB
1280*714
chi 2.0
NR
24 fps
1 hr 34 min
P/S counting...

Movie Reviews

Reviewed by howard.schumann 9 / 10

A tone poem about longing and one's search for identity

In Wong Kar-wai's 1991 film Days of Being Wild, Yuddy (Leslie Cheung), a charming drifter captures the attention of store attendant Su Lizhen (Maggie Cheung) by asking her to look at his watch. When she sees that it says one minute before 3:00PM on April 16, 1960, he tells her that she will never forget the moment and will dream about him that night. The next time they meet, the moment becomes two, then one hour, then weeks and months but Yuddy is like the mythical bird with no legs that just flies and flies and never lands. Abandoned by his real mother and brought up by a wealthy alcoholic courtesan (Rebecca Pan), he does not know where he came from or where he is going. He treats women with little respect, discarding them when they no longer serve his purpose. When one lover asks him if he loves her, he tells her that during his life he will be friends with many, many women but won't know whom he truly loves until the end.

Days of Being Wild unfolds like a dream with color filters, unusual shadows, and the sights and sounds of Hong Kong's rainy nights and sweltering summers. Based on the director's memories from his childhood and admiration for the style of Argentinean novelist Manuel Puig (Heartbreak Tango), the film is a series of episodes involving six people who touch each other's lives. After his short-lived relationship with Su, Yuddy meets a cabaret dancer who calls herself Mimi (Carina Lau) but their relationship fares no better and she is left to suffer the consequences of their breakup. Meanwhile, Su meets Tide (Andy Lau), a gentle policeman whom she is able to confide until he suddenly leaves Hong Kong to become a sailor. Each character seeks a sense of identity and fulfillment. After Rebecca tells him of her plans to move to America with her boyfriend, she finally lets him know who and where his real mother is. After Yuddy goes to the Philippines to try to find his mother, the lives of the main protagonists come together in a powerful conclusion.

Days of Being Wild may sound like a soap opera but the film reaches a much higher artistic level. Supported by outstanding performances by Leslie Cheung, Maggie Cheung, and Jacky Cheung as Yuddy's only friend Zeb, it is a tone poem about longing and one's search for identity. We care about the characters even though they don't seem to care about themselves. Like many of us, they pine for the things that might have been, the word that was never said, and the love that remains elusive. A commercial failure but an artistic triumph, Days of Being Wild is a moody, atmospheric film that with its background of popular music, in this case 1950's rumbas and cha-cha's, forecasts the director's later In the Mood For Love. As a beautifully realized example of alienated people desperately seeking their place in the world, however, it stands securely on its own.

Reviewed by thebeautifulones 10 / 10

The bird that never lands goes down a path of self-destruction

So far, I've watched 4 Wong Kar Wai films, and they seem to suggest that if one constantly uses one's experience as an excuse to go down a path of self-destruction, that one person has no one to blame...but him/herself.

The film starts with Yuddy (played by the late Leslie Cheung), the child of an aristocratic Filipino woman, who gives him to a wealthy alcoholic courtesan (played by Rebecca Pan), doing what he does best-making a woman fall for him, and dumping her when he finds he has no more feelings for her, or when she seeks commitment and security from him.

His first target is the shy Su Lizhen, played by the eternally youthful Maggie Cheung, whom he tells her that she would see him in her dreams. My thoughts on that statement, what a bold thing to say! A classic example of Yuddy's arrogance! In the next meeting she tells him that she did not dream of him, he tells her that is because she did not sleep. Upon falling asleep, perhaps she did dream of him..and when he finds her again, her ears are flushed. He tells her to look at his watch which says that it's one minute before 3:00PM on April 16, 1960.

Poor Lizhen! She would always remember that one minute, as it slowly increased to 2 minutes, an hour, half a day, and next, she's at his apartment. When she asked for some form of commitment, Yuddy promptly dumps her.

Yuddy then moves on to Mimi, a cabaret girl (played by the ever voluptuous and passionate Carina Lau), and the love they share is passionate and aggressive. His best friend, Zeb, a quiet, yet loyal friend, is smitten by Mimi but she warns him against falling for her. Mimi is a passionate and possessive lover, but even she could not satisfy the ever drifting Yuddy, and is left to suffer the consequences of the break up.

Meanwhile Yuddy blames his adoptive mother for his situation, and for not telling him who his real mother is. His cruelty does not surprise her, as she had long noticed that he had viewed her as a foe, and is unwilling to see her find her own happiness. In a bid to satisfy Yuddy, she tells him who his real mother is.

Lizhen on the other hand, while going through the consequences of her break up befriends Tide (played by Any Lau), the gentle policeman. he tries to be a friend to her, and tells her that if she truly needed Yuddy, to go and tell him to his face. Tide unwittingly falls for Lizhen, and would wait at the phone booth in the district he does his rounds in for her call, but never got one. When his mother died, he became a sailor.

The movie reveals itself like a poem, with each character trying to find his/her own identity, but perhaps never achieving it. Leslie Cheung the arrogant and self destructive drifter, Yuddy as though Yuddy is his second nature. Suave, handsome, but commitment-phobic, and never treating women with any respect. Jacky Cheung did well in his role as the shy Zeb who idolized Yuddy, no over acting this time unlike what he did in Bullet in the Head. Carina Lau played Mimi with ease, you could feel her passion, her possessiveness and her emotions, as though she was wearing all these qualities on her sleeve. Maggie Cheung and Andy Lau did well as the characters who were attracted to each other but the romance never materialized. When Lizhen finally had the courage to call Tide, it was too late as he had already left to become a sailor.

As for Yuddy, perhaps he learnt that a bird which never lands can never exist, it is dead because it had chosen the path towards self-destruction. Yuddy had no one to blame but himself for his situation.

The last scene with Tony Leung Chiu Wai dressing up was really cool, it made me wonder if that character developed to Chow Wo-Man. I wished WKW had released Part 2 of the film, it'd be nice to see how Wong explains TLCW's character.

Reviewed by mahatmakanejeeves420 10 / 10

My favorite Wong Kar Wai movie

I guess the main reason that this is my favorite WKW movie is that it's one of the least abstract of his movies and I feel like the viewer becomes more emotionally involved with the characters because of that. The music, as always with WKW, is wonderful and the cinematography is fine, I especially like all the shots of the lush tropical forests. It isn't as beautifully photographed as many of his later films like chungking express and in the mood for love. And it doesn't feature much of the fancy techniques that WKW likes to employ in movies like fallen angels or happy together. Still I think this is my favorite of Wong Kar Wai's movies, not necessarily the best, but the one I enjoy the most. Highly Recommended.

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