Death Screams



IMDb Rating 4.5 10 755

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Uploaded By: FREEMAN
January 05, 2022 at 04:47 AM



814.02 MB
English 2.0
23.976 fps
1 hr 28 min
P/S counting...

Movie Reviews

Reviewed by gavin6942 4 / 10

Frustration Leading Into Nonsense

I have no idea what I was doing watching this film. I purchased it from Family Video for $2.99 to add to my already impressive horror collection, and I ended up suffering through the worst "horror" film in modern history. The movie takes over an hour to even get to the "House of Death", the characters are under-developed and not memorable, and - not to give away the ending - I was staring dumbfounded at the screen for a good six minutes after the credits rolled. Let's not even get started on the music, because I wouldn't know how to characterize the noise I heard. The only credit I can give this film is... no, I changed my mind, this film is worthless in every way. You'd be better off watching "The Beast Must Die."

Reviewed by BA_Harrison 4 / 10

Formulaic and forgettable.

Did every film studio limit their output to just slashers in the early '80s? There are so many of them. Just when I think I've seen them all, I find another one I've never heard of. Still, it's not hard to see why Death Screams flew under my radar for so long: it's formulaic stuff that never tries to do anything out of the ordinary, from it's clichéd group of characters (obnoxious joker, nympho, goody-two-shoes final girl, town simpleton, fat bumbling sheriff) to its rain-lashed finalé in a rundown house by a cemetery.

The film opens with a pre-credits double murder of a young couple, but it's too dark to see what happens to them, director David Nelson seemingly more preoccupied with getting in the first shot of a topless girl than delivering an effective fright. Certainly, for much of the time, Nelson appears to be more intent on delivering gratuitous T&A than he does horror, focusing on the twenty-something victims-to-be as they go about their daily business--smoking weed, showering, chatting up the local baseball coach, making out etc...

All of the girls are attractive and several wear skimpy outfits, with buxom town tramp Ramona (Jennifer Chase) looking great in a bikini top and hot blonde Kathy (Andrea Savio) sporting short shorts. In a rare spot of gender-reversal, it is Coach Marshall (Martin Tucker) who takes the customary slasher shower, baring his butt, but he does manage to give randy Ramona a soaking in the process. The only other killing amidst all of this titillation is a girl shot with an arrow and suffocated with a plastic bag, a scene more notable for its silliness than scariness (instead of seeking help, the injured girl takes time-out on a merry-go-round).

As the film approaches its final act, sexy blonde Sandy (Jody Kay) goes skinny dipping (cue full frontal nudity) and winds up dead, and from this point Nelson ramps up the violence, eventually bumping off most of the characters in the space of a few minutes (including double decapitation and a girl torn in half). But while the sheer number of kills in a short space of time is admirable, the gore is extremely basic for the most part, and not very satisfying (the severed hands scene is hilarious). The best effect is a blink-and-you'll-miss-it bullet to the head (resulting in the face exploding) as the useless sheriff empties his handgun into the already dead killer (who had fallen out of a window while attacking good girl Lily, played by Playboy playmate Susan Kiger). Exactly what the psycho's motive was remains unclear: possibly something to do with being mentally scarred by his mother, who may have been a stripper. I really don't know. Or care.

Reviewed by BandSAboutMovies 4 / 10

Regional slasher

David Nelson broke out of his family's show The Adventures of Ozzie and Harriet in the movie The Big Circus, in which he was a disturbed man who may be a murderer. He also directed a few episodes of the aforementioned TV show, as well as its spinoff Ozzie's Girl, the Linda Evans movie Childish Things (co-directed with her husband at the time John Derek), and kept acting, showing up in movies like High School U. S. A. And Cry-Baby.

It might surprise some people therefore, when one of the Nelson kids ended up making a slasher.

During the last night of the carnival, the local kids decide to sleep down at the river, despite a bunch of murders just a few nights before. That killer - carrying a machete and a need to work out his past pain by killing everyone that he or she can - has followed everyone back to their campground and wants to make sure that no one leaves alive.

Waitress Lily Carpenter is played by Susan Kiger, a three-time Playboy cover girl (March 1977, November 1977 and April 1978) and January 1977 Playmate of the Year. She was also in plenty of great exploitation and horror movies throughout the 70s and 80s like H. O. T. S., Angels Revenge, Seven, The Happy Hooked Goes to Hollywood, Galaxina and The Return. Several of the actors in this also appeared in Tales from the Third Dimension, like Helene Tryon (Edna Sharpe in this, the evil grandma in that 3D anthology) and William Hicks (who was a cop in this and is in "The Guardians" chapter of Tales) and a few were in other North Carolina movies like A Day of Judgement and Rottweiler 3-D (AKA Dogs of Hell).

This may seem slow, but stick with it. Nearly every kill is in the last fifteen minutes, as all manner of insanity goes does, like two decapitations, hands chopped off at the wrists, a throat-slashing and even someone chopped in half in a moment that had to have inspired Michele Soavi when he made one of the best slashers with the dumbest cops ever, Stagefright. Do not gather in an abandoned house by the cemetery and tell urban legends with twenty-something teens or you will die.

If you're wondering, how good is this movie? It has the same cinematographer as Carnival Magic, Darrell Cathcart, who also worked on Trucker's Woman and Final Exam. Speaking of that other slasher, it also shares several crew members with this movie, including editor John A. O'Connor, makeup artist Barbara Galloway, production manager Mike Allen, assistant director Dawn Easterling, second unit director Charles Reynolds and stuntman Jere Beery. There's also plenty of crossover with Savage Streets, as most of this film's producers made that movie.

From that, you should see the pedigree of this. It's junk, but great junk, the kind we checked off our slasher rental list in the 80s. Here's to regional slashers! And for those looking for both full frontal female - and male - nudity you get some of that as well. Sure, the killer can teleport and do a lot of things in not so much time while not being terribly interesting when you discover who he or she is, but you know, it's better than any slasher that will come out after you read this.

The music in this is bombastic and feels like it belongs to a way bigger and more expensive movie, too. It's by Dee Barton, who also did the music for Play Misty for Me, Every Which Way But Loose, Thunderbolt and Lightfoot, High Plains Drifter and, there it is again, Tales of the Third Dimension.

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