Force of Evil

1948

Crime / Drama / Film-Noir

4
IMDb Rating 7.3 10 5889

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Synopsis


Uploaded By: FREEMAN
February 04, 2021 at 07:13 PM

Cast

Marie Windsor as Edna Tucker
Paul Fix as Bill Ficco
Paul Frees as Elevator Operator
Arthur O'Connell as Link Hall
720p.BLU 1080p.BLU
723.96 MB
978*720
English 2.0
NR
23.976 fps
1 hr 18 min
P/S 2 / 22
1.31 GB
1456*1072
English 2.0
NR
23.976 fps
1 hr 18 min
P/S 8 / 21

Movie Reviews

Reviewed by Don-102 9 / 10

Great mix of mobsters and sibling rivalry in overlooked gem...

Martin Scorsese has hailed this film as one of the forgotten masterpieces of the film-noir genre. He took it a step further by resurrecting the film from the vaults and teaching it at NYU in the late 60's. He said it was the first film he ever saw that related "to a world he knew and saw." Indeed, the film's realism and location shooting is great to see, especially Wall Street circa 1948. Those scrapers have stood for a long time. This is not traditional noir, however. It is an excellent study of a personal battle between two brothers. Joe (John Garfield) is a rich, corrupt mob lawyer, not unlike Duvall in the Godfather flicks. His older brother Leo (A great actor named Thomas Gomez) is a banker trying to live on the "up and up".

The relationship is a tragic one. Thomas Gomez must be one of the most underrated actors of his day. He steals every scene he's in with the quick-talking Garfield, who was so good in THE POSTMAN ALWAYS RINGS TWICE. This may be familiar to fans of RAGING BULL, where both sets of brothers in two very different films love each other, but have a difficult time displaying affection.

Two fabulous scenes stand out and would be impossible if shot in color. The first occurs when Garfield stumbles upon a darkened office with his door slightly ajar. The light from his office cuts through the middle of the screen, allowing Garfield to snoop. Another is the shootout at the film's climax, where all of the three shooters are lying in the shadows, creating suspense based on what we cannot see. It is all done in a very impressionistic way, a superb use of lighting and shadow. This is black and white at its best. Pure and evil. A truly great film. I would stay focused on the scenes between Gomez and Garfield. This sad brotherhood plays incredibly against a brilliant backdrop of crime and double-crossing.

FORCE OF EVIL is another reminder of how good Hollywood films of the 1940's were. Without them, we probably would not have the classics of the past 25 years.

Reviewed by krorie 9 / 10

Abraham Polonsky's masterpiece

Oft times an author's first major work is his/her best work. This is true for director Abraham Polonsky. Had Polonsky not been blacklisted by the Hollywood and Congressional bigots who knows what he might have done. Certainly his earlier script for "Body and Soul" is one of the best in movie history. Since he was later blacklisted by the power hungry hooligans of the nation, it is easy to read too much Marxism and Communist psycho-babble into "Force of Evil." In pointing out that there is not much difference between underworld numbers banking and banking in the world of acceptable business, Polonsky is utilizing social and political criticism, not of necessity a Marxist slant. Marxism is an entire Utopian recreation of the economic world order, not artistic expression and intellectual conceptualization as presented by Polonsky in "Force of Evil." The director/writer is also concerned with moral bankruptcy in justifying evil as a means of rationalizing big profits from illegal activities.

There is a spin off story concerning two brothers, one of whom has warped scruples who helped his younger brother become a successful if now corrupt corporate lawyer with no scruples until tempered by the seemingly innocent babe in the woods Doris Lowry (Beatrice Pearson) who in reality has questionable morals herself yet clothed in hypocrisy. Both Doris and Leo Morse (Thomas Gomez)are pursued by their own demons. The viewer has to determine where the moral depravity or evil actually lies and with whom. The title "Force of Evil" could just as well be "THE Force of Evil," since evil tends to be almost omnipotent that every mortal is tempted and it takes very strong souls indeed to resist and remain true to heart. It's much easier to make a deal with the devil in the fashion of Faust and to take the wrong highway at the crossroads.

The brilliant John Garfield who left this world much too soon never gave a poor performance. Only Garfield could have done justice to the complicated complex character of Joe Morse. Yet Thomas Gomez stays up with Garfield all the way and nearly steals the show as Joe's impenetrable sibling whose persona appears one-dimensional on the surface until one begins to scratch away the enamel.

A delectable bonus for the viewer is the magnetic New York City photography that takes on the appearance of Edward Hopper paintings, as Polonsky intended. All the exterior shots are to be savored but one that sticks in the mind long after the film ends is near the final credits when Joe seeks where his brother Leo's body has been dumped. The narration by Joe tells it all as he runs in a desperate gait downward toward the murky water, with Doris trying to keep up but mainly just watching.

One of the neglected movie gems of the 1940's, not to be missed.

Reviewed by bkoganbing 9 / 10

Influential Film

The VHS version I own of Force of Evil is one with a forward by Martin Scorsese. In it Scorsese says that this film was the first one that depicted a world he knew, growing up in New York City. Scorses was mesmerized by it as a kid and studied it frame by frame as when he grew up. He pays tribute to Force of Evil saying that you can see the influence of it Mean Streets, Raging Bull, and Goodfellas.

Of course the fact that the film was shot totally on location in scintillating black and white noir in New York City, gave it a dimension that no other noir films have, save possibly Night and the City which was also shot on location in London.

John Garfield who was as quintessential a New Yorker as you could get plays Joe Morse, smooth lawyer for a big time racketeer Roy Roberts who is looking to either take over or muscle out the small time policy banks in the numbers racket. One of those banks is owned by Garfield's brother, Thomas Gomez.

Garfield is as ruthless as Roberts, but with a velvet glove. He tries to get Gomez to go along with the syndicate, but Gomez balks. There's also a prosecutor looking into the numbers racket and a tapped phone which figures prominently in the climax.

Given the leftwing polemics of both the star and director Abraham Polonsky, Force of Evil got the attention of the ultra rightwing House Un American Activities Committee. Polonsky was blacklisted for over 20 years and Garfield died under the strain of the investigation.

Given what has happened to the Soviet Union, I wonder if Garfield and Polonsky were alive today what they would say and how they would feel about their work here. It's interesting to speculate.

But as entertainment Force of Evil is a great success and that is the first rule of film. Also look for a good performance by Marie Windsor as Roberts's wife with a yen for Garfield. One of her first femme fatale roles and one of her best.

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