Action / Horror / Mystery / Thriller

IMDb Rating 4.9 10 2052

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Uploaded By: OTTO
July 15, 2015 at 04:19 PM



755.21 MB
English 2.0
23.976 fps
12 hr 0 min
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Movie Reviews

Reviewed by Bezenby 8 / 10

I'm into CB!

Umberto Lenzi's Ghosthouse just about has all the trademarks of a late era Italian horror. A haunted house. "Teenage" victims. Gore. Cheesiness. Bad acting. It's all there, and it's all good.

Back in 1967, a crazy father discovers his cat murdered in his basement, and his daughter holding a pair of bloodied scissors. Understandably losing the rag, he locks his daughter in the basement and goes upstairs, and that's when things get weird. A bulb expands and explodes and a maggoty thing appears and splits his head open with an axe. When mother comes to investigate a mirror explodes in her face, performing the good old Italian eyeball trauma, and then she gets a knife through her neck for her trouble.

Fast forward to 1987, where CB enthusiast Paul is discussing Simon Le Bon and Kim Basinger over his radio. He catches a strange signal where a man is crying for help, followed by a weird tune and indecipherable vocals, and using his computer, somehow, he manages to track down the signal to a house in the country. Now brace yourself because this is a big surprise – it's the house from the start of the film.

Grabbing his girlfriend Lara Wendel (who hilariously spends most of the film in a bad mood with him), Paul heads out to the house, where he finds CB operator Jim, his girlfriend, his brother and his Jim Carrey lookalike sister/pain in the arse Tina. Problem is, Jim acknowledges that the voice on the tape is his, but he's only just set up his CB rig and hasn't used it yet. That night, Jim is drawn to the basement, where a small girl and a creepy looking clown doll appear, and Jim finds himself uttering those words that Paul taped the day before…and ends up dead.

I like Ghousthouse for many reasons. First, there's the cast, including Lara Wendel (Red Monks, Killing Birds), Donald O'Brien (Mannaja, Zombie Holocaust) and Bob Champagne (Witchery). Then there's the fact that the film splits into two plot threads rather than have everyone just stuck in the house being chased by ghosts. That does happen to some of the characters for the remainder of the film, but two characters never actually return to the house, and instead try and investigate the origin of the haunting, pursued by O'Brien (who plays a deranged caretaker in slasher mode). Then there's the sheer amount of haunted house action Lenzi pours into the film, from the usual taps pouring blood, appearing/disappearing ghosts, moving objects, disembodied laughter etc, to the more surreal basement full of quick lime and an appearance by the Grim Reaper.

Gore wise it's pretty good. You've got the messy killings at the start, someone being stabbed with shears, a hammer killing, and a character being cut in two. There's also the sub plot involving the homeless black thief guy that's maybe not worth dwelling on too much. Ghosthouse is for me one of the finest of these cheapo horror films the Italians were churning out before the industry gave up, and further proof that Lenzi can be a good director if he wasn't too obsessed with killing animals for jungle flicks. Check out his seventies gangster movies – they're all gold.

I've seen posted on the 'goofs' section here that Lenzi made the mistake of putting Henrietta's date of birth as "1938" on her tombstone, but it clearly says "1958" – give the guy some credit.

Reviewed by Sam Panico 8 / 10

Just ridiculous.

Ghosthouse has nothing to do with House or House 2. Then again, it also has nothing to with Evil Dead or Evil Dead 2, movies that are known as La Casa and La Casa II in Italy. But hey, who is keeping score? As you'll learn before the end of the week, the next two La Casa movies have nothing to do with this one, either!

Director Umberto Lenzi (Eaten Alive!, Nightmare City) directed this Joe D'Amoto production, which was filmed in the same house as Fulci's House by the Cemetery!

The film starts in the past, right after Henrietta has killed her pet cat. Her father locks her down in the basement, along with her creepy clown doll. He tells his wife that their daughter has to be possessed by the devil, but before they can make a move, she kills dad with an axe to the head and explodes a mirror, sending shards into the eye of her mother, Fulci style. Holy shit, this movie hasn't even started yet and it goes for the jugular!

Let's meet our hero. Paul Rodgers is just your typical guy. He does data entry via ham radio, with his call letters proudly on top of his set-up, made with a wooden router, like something your aunt would have in her house that smells like liver. All he wants to do is sit on the bed and eat chili with his girlfriend, Martha, except he keeps hearing cries for help over the radio.

Also - I should mention that all of the dialogue in this film sounds like it's being said by complete maniacs, adding to my enjoyment of the film. It also has moments of insane dialogue padding - by that I mean, Paul discussing Simon Le Bon with a female ham operator or asking who is more popular in Denver, Kim Basinger or Kelly LeBrock.

They track the signal to the house we saw at the beginning (throughout the film, I kept yelling, "It's Dr. Freudenstein's house! Stay out of his house!" but no one listened) and meet another ham radio operator. Obviously, ham radio was the internet of the 80's. As they walk on the porch, Martha says that the house has an evil aura (her thick accent makes translating her nonsensical dialogue a master's class in Italian exploitation dialogue divination) and refuses to go in. Paul just says, "Yeah,f it. F it." and goes in.

They meet the Dalens, Jim, Mark and Tina, along with Susan. These friends have been interested in the house and Jim may have been the ham radio operation that Paul heard scream. Don't get too used to anyone - anyone involved dies horribly, like a flying fan blade to the throat, a hammer to the brain, getting chopped in half, being hung and even the basement floor splitting apart to reveal a milky substance that works like acid. Even a wacky hitchhiker who walks through the house looking for silver to steal gets wacked. Man, even Paul gets killed in the film's shock twist ending as he gets smooshed by a bus.

It's all Henrietta's fault. She's the kid we saw kill her parents earlier and she just keeps it up. Why? Well, her father stole a clown doll from another child's coffin and gave it to her. You know how these things happen.

There's a completely deranged scene where Martha finds the doll, leading to paper rabbits, feathers and other toys attacking, ending with the doll sneaking up behind Martha and trying to choke her. Becca yelled, "No wonder this girl turned bad. Her toys are shitty!"

You even get Donald O'Brien (Dr. Butcher M.D. himself!) as Valkos, a hitchhiker/backwoods weirdo/the old guy that warns kids. Here, he stalks and kills at random, including the aforementioned hammer to the head kill, after which he shuts the coffin lid on a still alive mortician.

You like severed heads? You like ghost dogs? You like dialogue about Jack the Ripper and the Salem Witch Trials that makes no sense? You like policemen in over their heads spewing jargon-filled exposition? How do you feel about explosions and maggots? Or synthesized sounds that repeat over and over until they make you feel trapped like the characters in the film? Then guess what? I've got the film for you.

Reviewed by MetalGeek 2 / 10

Routine Haunted House Schlock

A mysterious ham radio signal (!) draws a group of curiosity seekers to an abandoned house which (naturally) was the site of several murders twenty years ago. Soon they discover that the house is inhabited by the angry spirit of a long-dead little girl and her creepy killer clown doll. This Italian horror flick (from Umberto "Nightmare City" Lenzi) certainly doesn't skimp on the gore, which is a good thing because it's the only thing that made it watchable. The characters are all idiots, the acting/dubbing sucks and the story and dialogue are a complete mess. A better title for this one would have been "Outhouse," or "Sh*thouse."

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