Action / Horror / Thriller

Rotten Tomatoes Critics - Certified Fresh 96%
Rotten Tomatoes Audience - Upright 89%
IMDb Rating 7.8 10 219784


Uploaded By: OTTO
October 28, 2012 at 06:38 AM



Jamie Lee Curtis as Laurie Strode
John Carpenter as Paul, Annie's Boyfriend
Donald Pleasence as Dr. Sam Loomis
Kyle Richards as Lindsey Wallace
720p.BLU 1080p.BLU
699.99 MB
English 2.0
23.976 fps
1 hr 31 min
P/S 3 / 14
1.40 GB
English 2.0
23.976 fps
1 hr 31 min
P/S 8 / 113

Movie Reviews

Reviewed by NpMoviez 10 / 10

A true and deserving horror classic. Thanks John Carpenter.

Whenever we talk about the classic slasher films, we must mention at least two names - A Nightmare on Elm Street (1984), Halloween (1978). That's what this movie is - a pure classic. You know what Friday the 13th films are? Something that started with a RIPOFF of Halloween. That's how important this film is! Who knows? Had it not been successful, we might have never got a Friday the 13th films at all!

Good : This usually is in my negatives in a slasher film, but here, it is in the positives - the characters. The characters we get introduced to in this film are very interesting. It doesn't feel like as if they're there to get killed, except for a final lady character. Laurie, our main girl played by Jamie Lee Kurtis, stands out to be one of my favorite final girls in the so-called classic slashers. Her friends are not just blant and useless characters either. They are not as interesting as Laurie, but they do entertain us either by getting killed or by interacting with other characters. I won't say all the characters are memorable, that's (perhaps) never the case in these type of films, but at least they don't feel forced and boring. Michael Myers. The tiny introduction to the character, for me, was sufficient to get behind him. We actually get to see what happened to him, or what made him the killer that he was. In short, Michael Myers was a good antagonist for me. However, all these are the secondary factors, which make this film good. The main aspects that need to be acknowledged for making this film so good, even after 40 years, would be John Carpenter. His imagination gave us Michael Myers. His screenplay served as the basis of this film. His music in this film gave chills. His direction made it a classic. I don't think the screenplay was a unique piece of writing. It could've been used to make a dumb Friday the 13th film too. It's the direction of Carpenter that made the movie so good. Throughout the film, we can feel the creepy presence of Michael Myers and we do not have a single moment to relax. That's something which makes a film like this work. Not just kills. Or loud sound effects. This movie apparently understood it very well. The suspense and the thrills are built very effectively and all of the thrills are worth the respective conclusions. The third act is a rollercoaster ride, to be honest. What I am going to say now can be put in "mixed" aspects, but I am not going to do so. If you show this movie to someone who has watched the modern day slasher films, he or she will definitely say "what's the big deal, the movie is clichéd". I would definitely agree to that - had it been a movie made in this date. It was made back when such films weren't so popular and if you think that this movie is obvious, you must know that movies like these are the ones which apparently gave us the clichéd template of slashers. It is a trend setter, in that respect. A movie being a trend setter is one of its biggest accomplishments. One more positive about this film. Compared to Nightmare and Friday films, the ending works in this movie. I would definitely say that the ending is quite similar to that of the first Friday and first Nightmare movie. There's a lot of mystery behind Michael Myers and they barely acknowledge him as "inhuman" - not confirming as if he was a supernatural entity or just an emotionless killer - and, he looks like a human. Even though we know enough about Myers to get behind him, even though Myers gets over with us, we still don't know many things about him. So, the ending makes us more curious about the character and hypes up for the sequel, even though it wasn't meant to be given sequels. It absolutely wasn't shoehorned to make room for the sequels like in the other two franchises I mentioned. Yet another positive. The character of Dr. Loomis is an integral part of what makes the story engaging. If you compare the first Nightmare film with it, we like the first Nightmare film because we get to know a great deal about Freddy and the psychological horror aspect of the movie was engaging. So, it didn't really need a "stopping agent" like Loomis. But comparing with Friday films, it lacks a character like Loomis to hold the movie tightly, which becomes a weak compilation of slicing scenes (roughly speaking). Dr. Loomis may not seem like a character which was integral to the movie. But, had he not been there, the movie might not have worked so well. I often get confused about which movie - among this one and first Nightmare film - I like the most. But, I always tend to put this one above just because of the ending that doesn't bug me.

Conclusion : It's one of those movies which deserve to be called "classic". Even though the tropes may seem familiar, it was perhaps the first one to use such tropes so effectively. Thus, viewing in the retrospect will make you enjoy this movie even more. . . Rating. .

Score : absolute 10/10

Grade : A+

Reviewed by Jared_Andrews 9 / 10

A masterclass in horror

That mask. Wow, is that mask scary. The same can be said about the music. Even 40 years later it completely holds up in every way-it's iconic, it sounds great, it's scary and it's instantly recognizable. Amazingly, John Carpenter wrote and performed the music despite claiming that he cannot write a single note.

Before we see any part of the movie, we hear the music. Instantly, we feel unsettled. Then, watching through first-person stalker cam perspective and through the eyes of a Halloween mask, we observe a young boy peep on his sister then murder her.

Fast forward 15 years and this young boy, Michael Myers, has grown into a man while living in a mental hospital, never once speaking a word. As if summoned by some evil power, he breaks out and travels to his home town of Haddonfield on Halloween.

After breaking out and encountering people in the outside world, Michael still never says a word. It's another inspired filmmaking choice. Hearing his voice would humanize him in some way, instead all we hear is his heavy breathing.

Why Michael returned to his hometown is unclear, as is everything about Michael. That's brilliance of this movie-we never find out why Michael killed his sister, we never find out why he escaped the hospital and we never find out why he continues to kill.

We don't need to learn his reasons. No motive is scarier.

Also scary, he's human. He's not some monster with superpowers (if you ignore the sequels, like you should), he's just a severely disturbed person. Think about that. That means this story is something that could actually happen in any American small town. His victims were seemingly random, so they could be anyone. No one is safe.

Although, as I just mentioned, his killings are random, he does seem to take issue with people having sex. This started the now famous horror trope that characters who have sex are as good as dead.

This movie also popularizes the horror staple of victims who consistently make dumb decisions. Stop dropping the knife! Stop assuming he's dead! It's maddening.

Another aspect of the movie that stood out to me is its surprising lack of violence. There's virtually no blood or gore. Michael mostly strangles his victims. He uses his knife too, of course, but the killings aren't terribly graphic. It's refreshing change of pace from the excessive violence in modern slashers.

While Michael may seem invincible since he survives two stabbings and multiple gun shot wounds, he is not flawless. Upon my latest re-watch, I noticed how much he struggles with walking. Michael Myers is a hall of fame level killer, but he's a below average walker.

This likely a deliberate choice by director John Carpenter. Not only does Michael's slow walk build suspense, it also lends itself perfectly to the first-person camera shots. The patient, measured movements give him an eerie feel. He's lurking.

We see his lurking figure in many forms, each equally brilliant in its execution. Sometimes we see his outline as a shadow. Sometimes we see him ease into the corner of the frame behind a victim. Other times we see a distant shot of a house of character, then Michael partially steps in frame near the camera. Carpenter expertly mixes foreground and background in his shots to make Michael just far enough away that the characters don't see him but the audience does.

The movie builds and builds and builds. It's definitely scary from the opening scene, but it grows continuously scarier as we see the extent of Michael's killing spree. All the while, jump scares are sparsely used and are never fake. What I mean by that is when the music jars viewers, it's because Michael appears. The music never blares for fake scares, like when a cat runs across screen or a friend knocks on a door, which is annoying trend in recent horror films.

The only scary part of this film is Michael. Fortunately, he's plenty scary to carry the load.

'Halloween' is considered an ageless horror masterpiece. After re-watching it recently, I can clearly see why that is the case.

Reviewed by ramosj-60814 9 / 10

Best horror film ever!

Carpenter's POV was extremely tasteful, but scarring you with what you don't see, don't get me wrong I do like blood and gore, but over done.

Even to this day, its still holds up to be one the all time greatest horror films ever made.

  • JR

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