Henri-Georges Clouzot's Inferno

2009 [FRENCH]

Documentary

0
IMDb Rating 7.5 10 1732

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Synopsis


Uploaded By: FREEMAN
December 30, 2021 at 04:27 AM

Director

Cast

Lino Ventura as Self
Costa-Gavras as Self - Interviewee
Yves Montand as Self
720p.BLU 1080p.BLU
916.34 MB
1280*714
fre 2.0
NR
23.976 fps
1 hr 39 min
P/S counting...
1.84 GB
1920*1072
fre 5.1
NR
23.976 fps
1 hr 39 min
P/S counting...

Movie Reviews

Reviewed by writers_reign 7 / 10

Clouzot or Clouseau?

There are several valid reasons for wanting to see this film, not least the unshown footage of Romy Schneider who had the lead role opposite Serge Reggiani, add to that a film written and directed - in so far as it went - by Henri-George Clouzot, reminiscences of the shoot by the likes of Catherine Allegret and assorted technicians, the roping in of Jacques Gamblin to flesh out (via reading) some of Reggiani's scenes and what's not to like. The film was doomed from the start. Clouzot was a changed person and thought nothing of waking the crew at 3 a.m. to discuss an idea. Reggiani finally ankled on the grounds that enough is enough and was replaced by Jean-Louis Trintignant who never got on set because Clouzot suffered a heart attack and the film was closed down. It remains fascinating for any French film buff, especially when you throw into the mix the fact that Clouzot's widow, Ines, sold the script to Chabrol who went ahead and shot it. Old School versus New Wave. It's no contest and this fragment eclipses every movie that Godard ever shot.

Reviewed by morrison-dylan-fan 8 / 10

The un-making of Henri-Georges Clouzot's Inferno.

When reading up on Henri-Georges Clouzot,I was always intrigued to hear about a documentary about an unfinished film of Clouzot's. Looking on Amazon UK at the most recent Arrow releases,I was thrilled to find they had recently put the doc out,which led to me stepping into the inferno.

View on the doc:

Complimenting the doc with 2 hours of extra interviews, Arrow deliver a splendid Blu-Ray transfer,with the raw original footage shown looking sharp,and the subtitles being well-paced and easy to read. Gaining access to the archive material from Henri-Georges Clouzot's (HGC) widow, directors Serge Bromberg & Ruxandra Medrea make glimpses at what could have been the star attraction, with HGC's experimentation to give the dream sequences of the husband a colourful surreal appearance, and a still ground-breaking use of multi-tracking to manipulate the soundtrack. Interviewing surviving crew members and re-enacting un-filmed scenes with future The Artist star Bérénice Bejo, the directors do not shy away from HGC very rough treatment of the cast,and the frustrations from the crew over HGC's being unable to express a clear vision over what the finished production should look like,leading to Inferno being left in the inferno of unfinished (could have been) classics.

Reviewed by christopher-underwood 8 / 10

maybe someone else one day will have another go

A most interesting film surrounding the making of Clouzot's unfinished, Inferno. Abandoned in 1964 ostensibly due to the director's heart attack, a substantial amount of filming remains and much use has been made of the original footage. Intended as a film about a husband's obsessive jealousy over his wife's apparent philandering, it seems Clouzot became himself obsessed. The b/w footage appears to have some promise but is without soundtrack so hard to judge, but no the real interest here is the experimental reels. Determined to make a film like no other, Clouzot recruited any number of technicians and artists to help create devices to give him surreal or psychedelic affects. Along the way the director has clearly fallen for the lovely Romy Schneider who for instance spent four days with a camera close up on her lips whilst exhaling cigarette smoke and wearing various colours of lipstick, including blue. Valuable as an insight into the attempted making of Inferno but a little frustrating in that it asks more questions than it answers, like the true mental state of the director and why nobody else might have carried on. It is possible that a lot was left out here because Clouzot's widow was to have last say on the film but it would be nice to know and maybe someone else one day will have another go, there seems enough footage.

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