Hiruko the Goblin


Comedy / Fantasy / Horror

Rotten Tomatoes Audience - Spilled 53%
IMDb Rating 6 10 1306

Keywords:   school, summer, hell, goblin, crown

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Uploaded By: FREEMAN
April 01, 2022 at 01:31 AM


817.85 MB
Japanese 2.0
23.976 fps
1 hr 29 min
P/S counting...

Movie Reviews

Reviewed by Woodyanders 9 / 10

Delightfully wild'n'wacky Asian horror lunacy

A crazed, gory, wonderfully absurd and furiously kinetic piece of Asian supernatural horror hokum; it's a feverishly inventive, turbo-charged, hard-driving trash terror item that's deliriously overloaded with demented imagination, wild-eyed passion, devilishly frolicsome wit and rip-roaring flair to spare. In short, it's a real pip.

A brutal, lethal, nearly unstoppable all-powerful otherworldly force wreaks plentiful grisly havoc in a remote rural school, decapitating students and transforming their severed noggins into swift, deadly creatures which are jet-propelled by speedy, ultra-sinewy spider legs. Two teenage guys bravely attempt to thwart the wildly out of this world supernatural mayhem, with the expected madly disastrous full-throttle four-sheets-to-the-wind insane nerve-jangling and life-threatening results.

This baby's got it all: briskly efficient pull-out-all-the-stops virtuoso direction, handsome, hyperactive vertiginous cinematography (the quick, super-smooth scuttling POV shots of the killer heads on the prowl are great), an intense, ominous, flesh-crawling mood that gradually escalates into all-out pandemonium, a few breathtaking moments of serenely surreal beauty, frenetically headlong pacing, gorgeously slick high-gloss production values, some pretty pastoral visuals, and a funny, appealing oddball nonconformist bespectacled dweeb protagonist -- he's a rogue, family-tradition-be-damned archaeologist named Hiruko, to be exact -- who's undoubtedly the best scrawny, weak-kneed, chicken-hearted limp dishrag unlikely savior of mankind since Zalman King's sweaty, constantly twitching dippy hippie dropout from "Blue Sunshine" (Hiruko's shrill, girlish screaming is especially hilarious -- and the bulky suitcase full of ineffectual state-of-the-art technological hoodads is a nice touch, too).

The splashy, excessively nasty and explicit splatter f/x really deliver the ghastly groceries: Heads are messily ripped off so blood can copiously spew forth like a bright red crimson geyser, gruesome eviscerated corpses are strewn about the school's hallways, one character develops a burning (and smoking!) boil on his neck, a spider head tries to fatally French kiss one dude with its harmful elongated prehensile tongue, and other such gleefully grotesque stuff. The truly off the wall final, in which our bumbling, but stalwart heroes are attacked in a dark, dank cave by a murderous multitude of encroaching spider heads and do their best to fend off the vile beasts with cans of insect repellent (!), deftly walks a fine line between blackly comical bedlam and grimly apocalyptic horror; it induces both nervous giggly laughs and genuine scared shudders in equal proportion. A delectably deranged and enjoyably over the top gem.

Reviewed by BA_Harrison 6 / 10

Tsukamoto splat-stick.

After opening an ancient tomb discovered beneath their school, teacher Takashi Yabe (Naoto Takenaka) and pretty student Tsukishima (Megumi Ueno) fall victim to the goblins trapped within. With the help of archaeologist Hieda Reijirou (Kenji Sawada), Takashi's son Masao attempts to prevent the goblins from escaping into our world.

Tetsuo, The Iron Man, Shin'ya Tsukamoto's nightmarish cyberpunk cult hit, found its audience with the art-house/obscure horror intelligentsia; I can't imagine the same crowd going quite so gaga for Hiruko the Goblin, which takes a far less visionary approach, borrowing much of it its visual stylings from Sam Raimi's The Evil Dead and John Carpenter's The Thing.

The film's plot is just as incomprehensible as Tetsuo's—I hadn't a clue what was happening for much of the time—but Tsukamoto eschews the surreal for a far more basic, splat-stick style, with plenty of gushing blood, crazy creatures, and chaotic, over-the-top acting. It might not make much sense half the time, but with decapitated heads sprouting legs, a crazy archaeologist armed with homemade goblin-hunting gizmos, and a young hero who develops burns on his back that resemble the goblins' victims, it's hard not to enjoy on the most basic of levels.

Reviewed by BandSAboutMovies 7 / 10

I loved it!

Shinya Tsukamoto made this after Tetsuo and instead of the monochromatic cyrber punk madness of that movie, he's somehow taken a manga by Daijiro Morohoshi and made a movie that is at once horrifying and charming, as if Spielberg wanted to make a Fulci movie and decided that it should be as cartoony as possible while having nightmare fuel embedded insie every frame.

Archaelogist Reijiro Hieda (Kenji Sawada, the only Japanese person other than Yoko Ono to be on the cover of Rolling Stone) has some out there supernatural ideas that get him almost disbarred. Yet his brother-in-law Takashi Yabe (Naoto Takenaka) has discovered an ancient tomb built to seal in a yokai behind the school that he teaches at, but has disappeared along with a student named Reiko Tsukishima (Megumi Ueno).

Tabe's son Masao (Masaki Kudou) is searching for his father when he sees Reiko at the school, but several people he knows get murdered and each of their faces appear on his back as smoke rises off it. The culprit? Her singing head, floating around the building.

Yeah, Hiruko the Goblin has just started and it's already beyond wild.

It turns out the Masao's grandfather had the same faces on his body sixty years ago and he had promised to keep the school sealed, as it contains a demon named Hiruko, who has turned all of her victims into spiders with human heads that chase our heroes through a system of caves as monstrous mouths come out of the ground and scream for them.

Monster hunting homemade technology, fighting demons with bug spray, demons that crawl on the floor and come shooting at your throat, incantations and rituals, plus slapstick? Man, they don't make movies like this ever. Get this now -- it's really and truly unique and wonderful.

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