Action / Comedy / Drama / Romance

Rotten Tomatoes Critics - Certified Fresh 94%
Rotten Tomatoes Audience - Upright 88%
IMDb Rating 7.4 10 481121

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Uploaded By: OTTO
August 31, 2011 at 09:22 PM



Jennifer Garner as Vanessa Loring
Jason Bateman as Mark Loring
Ellen Page as Juno MacGuff
500.20 MB
English 2.0
23.976 fps
1 hr 36 min
P/S 17 / 177

Movie Reviews

Reviewed by pauljcurley 7 / 10

Thundercats are go?

This could have been a very, very good film. I enjoyed the basic plot - a quirky, tomboy-ish 16 year old discovers she's pregnant, decides to give the baby up for adoption to the "perfect couple" but finds that the perfect couple isn't so perfect - and maybe no relationship ever is.

There were also some great moments, and great lines. I like when Juno tells the baby's quirky father, Bleeker (played by Michael Cera) that he is the coolest person she knows, without even trying. And he responds that, actually, he is trying really hard (to be cool).

I guess that gets me to the problem with the movie- it's trying waaaaay too hard to be cool (by being quirky - yes I have used this word 3 times already, intentionally). In the beginning, a store clerk sees that Juno's pregnancy test is positive, and he says: "that's one diddle that can't be undone, home-skillet". I cringed. As others have mentioned, Juno has an "ironic" hamburger phone, wears "ironic" t-shirts featuring 70's era toys (Slinky), wears Converse sneakers, and can't seem to have a conversation without making pop-culture references no matter what is going on - even when her water breaks and she is headed to the hospital, she has the detached sense of irony to make a reference to a mid-80's cartoon, yelling: "Thundercats are go!" I cringed again. I get it - Juno is a hip, snarky, ironic, tough, cool-because-she-trying-not-to-be-cool chick. But she becomes a cartoon, a warped caricature of an actual quirky kid. I could not accept Juno as "real" and was painfully aware that I was watching a movie.

And that is my ONLY problem with the film. The other characters and their stories are amazing - particularly the adoptive couple, and the difficulties they are facing. The best parts of the movie are those few moments when Juno gets her uber-ironic self off the screen, and we get to enjoy the other, more realistic, characters.

Would have given this a 8.5, if not for the cartoonish-ness of the Juno character. Thundercats are not go.

Reviewed by freemoviesforme 10 / 10

Juno, one girl's story

I rarely go the movies, I watch them on cable or rent them usually. When I heard about Juno I was interested but afraid it would disappoint. I Forgot about it and probably would have never seen it if I had not stumbled on it on cable one lazy Sunday afternoon. I think there are some very valid criticisms of the movie and of course there are some errors and questionable choices made, but the movie was filmed in 31 days which I find amazing.

One of the reasons I was afraid to see Juno was that I was Juno. Okay a little different but let's just say 17 and a senior in high school instead of 16 and a junior, everything else very similar. The biggest difference-I never met my child's adoptive parents.

I stupidly got pregnant though I knew better. Almost right away I realized abortion was not for me and that I was not ready to be a mom. No one ever talked about that 20 something years ago. You either had an abortion and no one knew or you kept the baby. At least that is the way it seemed to me.(not true I know but almost no one talked about adoption) Juno's character is quirky. I don't find her annoying in the least. She is a smart kid and she acts like one. While I can understand why some feel this movie showed teen pregnancy as having no consequences I disagree. The consequences are real for Juno. She has to deal with being pregnant, with finding adoptive parents she likes and trusts. She has to deal with school, her best friend Bleeker's emotions, her own emotions.

It is all done subtly and actually very realistically to me. Its a snapshot of what occurred. We don't know every moment of emotion and how Juno dealt with it. We do know at the end she was crying very heartfelt tears and that she felt she picked the best situation for her baby.

Its a gamble, there are no guarantees and she deals with that fact the best she can. I find her innocent relationship with Mark Loring very believable and the shaky marriage of Mark and Vanessa as real as it gets.

Yes Juno's parents seem to be over the top understanding. However you can tell they are simply accepting, loving people and are there for their daughter, why is that such a stretch for people to believe? I think this was well written, well acted, well cast and very real. The message is not that teen pregnancy and adoption is easy. To me this is one girl's story. It wasn't easy but she made the best of it and carried on with her life and gave her child a good start. As for a 16 year old knowing the references and music that Juno did, well in this day and age every one has access to old music, old TV shows, movies, etc. So its very plausible that Juno is a fan of the 1977 era and has been exposed to it via internet, cable and recordings.

It has flaws, and missteps but certainly in the end a great film and one I will watch again and again. As someone who has been through this I cried my eyes out and they were happy tears, to see that some one else saw it the way I did when I was where Juno was.

Reviewed by mrethanboy 6 / 10

A shallow, poorly considered exploitation of these important issues

At first blush, "Juno" seems like a pretty great movie. It's entertaining and lots of fun to watch. There's a great cast, and each of the film's characters are well-sketched and interesting. First-rate cinematography keeps the film colorful and engaging from start to finish. There are more than enough quirks, witty dialogues and obscure name-droppings to keep the hipsters placated. Perhaps it's just a bit pretentious and tries just a bit too hard, but these flaws could be overlooked. The movie should have been a charming little indie-lite film.

But it's not. Ultimately, I stepped out of the theater feeling frustrated and unsatisfied. The problem is that "Juno" tackles two very relevant issues in today's society –- namely, abortion and teenage pregnancy –- and utterly fails to address either in a way that is realistic or compelling. Now, maybe it's unfair to expect Juno to make a decent exploration of these complex themes. It's just a comedy, after all. However, even as many critics praise the movie's keen humor and witty banter, it's hard not to get caught up in the fact that this movie painfully abuses these highly relevant issues.

In one particularly wince-worthy scene, Juno's stepmother tells off an ultrasound technician for indicating that teenage mothers are less capable of taking care of their kids than adults. She argues that teenagers could be just as devoted to their children as their adult counterparts, and that she should stick to the things that she knows about. Instead of defending her position, the technician wordlessly exits while Juno, her friend and her stepmother exchange verbal high-fives.

The film makes offers no exploration of the ultrasound technician's completely valid viewpoint. Are teenagers ready to leave school to get a job and start supporting a dependent of their own? Are these kids really mature enough to tackle these issues? Should they have to? Does the amount of devotion to the baby really matter when you can hardly afford food and shelter? These relevant questions are left unasked. The scene is telling of either the director's ignorance or else his pointed attempt to skew facts to make a point, and neither shines well on the movie.

Juno MacGuff seems to be living in a dream world. Never mind her ridiculous vocabulary or unrealistically snappy sarcasm – her parents barely react to the news of her pregnancy, she almost effortlessly finds parents to adopt her unborn child (in a newspaper want ad, no less), the legal issues are smoothed out in the span of 30 seconds and Juno's social ostracism is hinted at but hardly explored in any meaningful way. Instead of getting a believable portrayal of teenage pregnancy, the film offers the pretentious name-dropping of hip punk bands. At one point, Juno actually says "Sonic Youth is just noise" as a biting insult. It's all a tad ridiculous.

At the end of the day, perhaps none of this should interfere with enjoyment of the movie. Perhaps one should gloss over the film's aggravating biases and enjoy what is otherwise a great film. However, the fact remains that Juno passes itself as an artsy independent film about teenage pregnancy and abortion, but it is little more than a shallow, poorly considered exploitation of these important issues.

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