Keoma

1976

Drama / Western

0
IMDb Rating 7.1 10 5033

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Synopsis


Uploaded By: FREEMAN
February 21, 2021 at 02:26 PM

Cast

Franco Nero as Keoma Shannon
Woody Strode as George
720p.BLU
927.08 MB
1280*544
Italian 2.0
NR
23.976 fps
1 hr 40 min
P/S counting...

Movie Reviews

Reviewed by kosmasp 8 / 10

Spaghettig Western at its best

Though to be clear I wouldn't go as far as to call it "the best". Something the people involved are quick to point out or to. This is really good and you have a very charismatic (and hairy chested) Franco Nero starring. You also have supernatural elements, that may not be fully explained (not even by all the extras on the disc).

And you have old school shooutous, where bad guys seem to only need one bullet to bite the dust (literally), whereas good people have to be shot quite a few times mostly. So yes there are things that may seem or feel dated, but the overall sense is quite great. Not to mention the performances. Really telling and really inspired overall.

Reviewed by Cristi_Ciopron 10 / 10

An unfairly scorned and mocked movie

I know I'll have to comment this movie on a future occasion,but,for now,I want to state at least some things about it."Keoma" is a very mocked movie,even scorned,despised.Nero might have seemed to look somehow ridiculous,with his long hair and big hat;but he's not.The score could have sound ridiculous.But it does not.Various rigmaroles have been told about this unique,respectable and ambitious film which is thought by some to be ...religious.It's not.

The story of a halfbreed,a half-Indian,"Keoma" is a powerful and accomplished movie.It gets even at the poetry of the innocent happiness,although for only a few moments (Nero riding across the hilly country,once he has rescued Mrs.Karlatos for the second time). The photography is fine.

Does "Keoma" lack humor?No,because it's not supposed to have any. "Keoma" is one of Nero's best performances (he was the coolest in "Django" ,"L'Uomo,...",and,above all,in" Texas, ...").As for Strode,this is perhaps his finest part. Castellari complained about the lyrics of the soundtrack and said he doesn't like it (because of the lyrics,I guess).Well,I have found the music good enough.The whole movie is,obviously,an essay,and doesn't deserve the harshness of many unfair critics.OK,the music could be improved;but,as it is,it's not shameful,it's not bad.Let's not make too much out of that music!

Castellari has also made a good vigilante movie with Franco Nero ,in '74 ("Il Cittadino...").

Nero has made (only) 14 westerns,in 36 years.Judging by his roles in "Texas,..." and "L'uomo...",he is one of the greatest actors that ever honored the Westerns' sets with their talent."Keoma" is his 11th. Western.

Men like Margheriti,Castellari,Baldi,Fulci,Bazzoni,and many others,are for the European cinema what I. Allen,Siegel,Peckinpah,Aldrich,are for the American one.

In a future comment,I'll discuss "Keoma" more in detail.

Reviewed by oOgiandujaOo_and_Eddy_Merckx 9 / 10

Oneiric murder tapestry

Review of English-language Blue Underground version:

My, my these Spaghettis. In Keoma (Franco Nero), we have a man who has descended into hell, he has become an annihilator. The landscape is infernal, from the Breughelesque sets to the leering henchman to the blasted mountains. For his enemies, he has two barrels of a shotgun, and no pity. The hell is as much in his mind as it is in the town he rides into. He is a man with no place, ideology or purpose. Unlike Eastwood's characters in the dollars trilogy who are without history or neuroses, with Nero as Keoma we have a profound psychological portrait of a man in spiritual agony, on the road to obliteration and self-immolation.

The scenario is also hellish, we have a town and a region that has been taken over by a warlord. He and his henchman block access from and to the outside world. The townsfolk are all infected with a plague, and rather than given access to medical aid, they are put in a concentration camp and forced to mine for silver, or simply murdered. The town is left to the henchmen and their trollops. This for me is very unlike a western in the traditional American sense. In the American western, there are always the upright people of the town to appeal to, there is a sheriff, or as a last resort the cavalry. People may be run off their land or be claim-jumped, but they are never forced into slave labour.

What we have in Keoma, and in similar movies such as Django and Django Strikes Again, is a fundamentally African western, which is probably why Spaghetti goes down so well on that continent. The town in Keoma is more reminiscent of somewhere in Sierra Leone than the Sierra Nevada. There is total brutal oppression of the populace. There is a reckless attitude towards the value of life. Keoma is likewise a more fitting hero for such a landscape, he is almost a Christ-like figure in the sense that he is betrayed or deserted by everyone in this movie, his family, the oppressed, and the liberated. When Keoma is crucified on a wagonwheel the artisans, politicos, henchmen and whores celebrate a change of leadership in the saloon that was entirely down to him. He is constantly grimy, his hair is totally overgrown, he is hirsute, sweaty, and wears no overshirt. Seeing him shove his pistol down the back of his trousers against his bare back will make the ladies a little queasy.

This movie has a very dreamlike atmosphere. The reason for this is that there is no real cohesive plot. Apparently Castellari threw the script in the bin immediately prior to shooting and adopted a completely improvisational approach. The only consistency to the movie is that of image and emotion. Throughout the movie is laced with the anguish of haunted souls, and punctuated by the slow-mo killings after the fashion of Peckinpah. The improvisation can unfortunately be quite clear. Some of the actors were writing their own lines the night before shooting. The dialogue is not always brilliant to say the least, and it is not helped by Nero's far from accent-less English. However this is about the only film where improvisation could work, simply because it is entirely beneficial to the oneiric, logic-less atmosphere.

The De Angelis brothers' soundtrack will be interesting to some because of the untrained voices. Nero sings quite a lot of it himself, and you will have to suspend disbelief and accept it, because although the man clearly has no singing talent, there is an authenticity to his singing that is refreshing.

I'm not sure what Woody Strode was doing in this picture, but flashbacks of him shooting his bow add to the trippiness. Keoma the movie is not quite as far-out as something by Jodorowsky, but it's on the way.

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