Action / Drama / Romance

Rotten Tomatoes Critics - Rotten 39%
Rotten Tomatoes Audience - Spilled 38%
IMDb Rating 6.1 10 42921


Uploaded By: LINUS
November 30, 2015 at 12:20 PM



Aomi Muyock as Electra
Karl Glusman as Murphy
Gaspar Noé as Noe
720p.BLU 1080p.BLU
1.16 GB
English 2.0
23.976 fps
2 hr 15 min
P/S 41 / 205
2.41 GB
English 2.0
23.976 fps
2 hr 15 min
P/S 37 / 153

Movie Reviews

Reviewed by sisilovesu 7 / 10

This film is actually brilliant.

I know I only rated it a seven out of ten but that's because I admit this film's faults. It certainly isn't near perfect but I felt very moved by the characters and their story. Lots of people may not be able to relate to this film however those of us that do can say that everything about this depiction of love has been experienced and is real. As a grown single adult living in today's dating world I can attest that the relationship between Murphy and Electra exists. Their obsession with each other and with sex that led them into a deep and possibly unreal infatuation was honest and thought provoking. Love sometimes doesn't make sense and can't be described or made logical. Their connection was what drove them into darkness, madness and despair. Love is completely all consuming on any level it's represented on. So many times have I given myself up for something that a year later I looked back on and couldn't reconcile my behavior, and so many times have I given myself up to something to only sabotage it before it completely devoured me. I don't know if I have been in love, but I have felt what these characters are going through and I wouldn't know what else to call it. In the vein of Harmony Korine and Lars von Trier I think Gasper Noe is a genius. Yes this movie is uncomfortable, yes the acting isn't great and yes the story is dry, but it's a genuine take on what relationships look like for some people in their mid twenties to early thirties and I loved every second of it.

Reviewed by aciessi 2 / 10

Sex doesn't always sell

Love is Gaspar Noe's latest film. It's essentially porn. Long, drawn out sequences of sex throughout. But there's a story, and that's what could be interesting about this film. Not since the early 70's has pornographic films experimented telling actual stories instead of just getting straight to business. Nymphomaniac is the last film of the modern era that attempted this, and it absolutely blew me away. This would've been fascinating, but instead, it's PAINFULLY boring. The story line and dialogue sucks. I didn't feel for anyone in this film. The acting was extremely stilted, but in porn films that's pretty much the norm. The cinematography is the only standout. It's beautiful to look at, as most Gaspar Noe films are. However, I despised the black screen that would appear every time there was a cut. As well as the many shots of the main character standing inside a doorway with his back turned to the camera, listening to an annoying voicemail. Why did he do that? Why would he think that would work? If there's a profound reason for those two editing decisions, I'd like to know.. not that it would make me feel any differently, I still hate it. Love is not only a missed opportunity, it's a film I'll never remember, or want to remember.

Reviewed by sportello29 8 / 10

Anything that can go wrong, will go wrong.

'Love' will most likely be discredited by many due to it's sheer honesty, like many films of it's kind are. Yet this honesty, as brutal and daring as it might seem, feels necessary to connect with and understand what the characters are going through, on an entirely new emotional level. In the words of Murphy, Gaspar Noe might have made the only movie that truly depicts 'sentimental sexuality'.

'Love' has many subtle and not-so-subtle references to the underlying story and to the director himself. Gaspar's mother is named Nora Murphy, while Murphy's son is named Gaspar and Electra's ex boyfriend - Noe. His favorite movie is Kubrick's '2001', while hers is Lang's 'M', both of which seem to fuel Murphy and Electra's behavior throughout the movie, where Murphy is often aimlessly overwhelmed with hope and desire, while Electra seems unable to forgive.

Gaspar Noe constantly cuts through the past and the future, using the techniques he is so familiar with since Irreversible. The movie abruptly switches between various stages of Murphy's and Electra's relationship, always cutting back to the present, where Murphy's is in absolute emotional agony and despair, raising a child with Clara.

At times Murphy and Electra are so deeply engrained in one another that their fights and dialogues seem outright comical and immature, as if we are observing a 16 year- old couple. But this is truly where 'Love' stands out. Being in love feels and looks exactly like this, it's raw, emotional and brutal yet foggy and sweet; when no one else exists or matters.

In one of Electra's and Murphy's conversations they talk about the sad reality that they are going nowhere and dragging each other down, they discuss taking a break. It is an extremely sad and emotional scene, where the thought itself brings so much fear into them, that they simply end up holding each other even tighter.

The script for 'Love' is only 7 pages long. It is full of beautiful and weird dialogues and extremely emotional, 'free-played' graphic scenes. These scenes however are not there to impress the viewer or open the doors to the unknown. This is also not a nymphomaniac-like sexual exploration. Gaspar Noe does a masterful job in showing us the true emotional aspect of love, in it's raw and relatable form, sex.

The sound-score is stunning, with the music gradually changing depending on the mood and the context of the scenes. Even though a lot of times it seems like we are watching the same people 'fuck' in the same positions, different context, feelings and music make each of these scenes truly unique and mesmerizing on it's own.

Noe also does a wonderful job in his minimalistic depiction of the story and the scenery. Murphy and Electra always wear contrasting colors, while the background is usually very simple yet fitting to them both. As if to say that when in love, everything should be seen through the eyes of the lovers.

'Love' might sometimes seem silly, overly graphic and way too sentimental, yet it hits all the right notes.

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