Phantom of the Opera


Drama / Horror / Music / Romance / Thriller

Rotten Tomatoes Critics - Certified Fresh 76%
Rotten Tomatoes Audience - Upright 77%
IMDb Rating 6.5 10 6170


Uploaded By: FREEMAN
October 01, 2018 at 07:18 AM



Claude Rains as Erique Claudin
Hume Cronyn as Gerard
James Mitchell as Reporter
720p.BLU 1080p.BLU
750.1 MB
English 2.0
23.976 fps
1 hr 32 min
P/S 0 / 3
1.44 GB
English 2.0
23.976 fps
1 hr 32 min
P/S 2 / 6

Movie Reviews

Reviewed by Petrushka 10 / 10

One of my favorites

I saw this film when I was a child when my sister (who happened to be a lifelong fan of Nelson Eddy) took me on the train into Boston to the Keith Orpheum Theater for a morning showing. So I sat beside my big sister while she was in heaven watching Nelson Eddy. I never thought that much of him as an opera singer but the opera they were doing was impressive for me, even at that age and I knew it was not a real opera but one made up by the studio using Tchaikovsky's symphonic music. I liked the acrobats in the opera scene and when Nelson used his whip to capture the leading soprano. I already knew Russian language so I understood the words they were singing and that Nelson pronounced them correctly. Then of course there was the marvelous Claude Rains. Not until years later when I got older did I really appreciate his wonderful acting ability. I also wondered how they could reproduce the Paris Opera house. I knew of course it was a studio set but was it a permanent theater on the lot at Universal or just the inside with dressed up extras as audience? These were the questions from a child's mind and I went home dreaming about it; not so much the story but the technical aspects of it all - like, how could the phantom carry a grand piano all the way down to those caverns far below the opera house. I have seen the film several times since then and I must say it holds up extremely well. Gorgeous Technicolor and atmosphere throughout. I've heard that the theater still exists on the Universal lot and was used in some other films. I wonder if it still is there, or was it burned down in the fire of 2007 that swept through and destroyed so much of the Universal lot. Maybe someone knows.

Reviewed by bkoganbing 9 / 10

The Mad Scourge of the Paris Opera

When Universal decided to remake Lon Chaney's classic silent version of the opera, sound opened up a rather obvious vista for the film. We can make it as much about opera as the phantom haunting the Paris Opera.

A task rendered considerably easier by the presence of Nelson Eddy and Susanne Foster. Unlike his screen partner at MGM, Jeanette MacDonald, Nelson Eddy came from the opera to the cinema. He always viewed himself as a singer first, films were something he did to get publicity for his concert tours. But Eddy always loved the grand opera, it could easily been his career path. Consequently The Phantom of the Opera and the arias he sings here always had a special place in his affections. We see a lot of the real Nelson here.

Another one of his interests was sculpture. The bust of Susanna Foster that Claude Rains stole from Eddy's dressing room is something that Nelson Eddy actually did. Sculpting was a hobby of his and as you can see he was quite good at it. Might have made a living doing that as well.

Susanna Foster who had a lovely soprano voice gave up her career soon after this most acclaimed of her films. A pity too, it was a real loss to the screen.

This Phantom of the Opera has a bit of comedy in it as well. Baritone Nelson Eddy and Inspector of the Surete Edgar Barrier have an uneasy rivalry going for the affections of Foster. The scenes involving this are nicely staged by director Arthur Lubin, more known for doing Abbott and Costello comedies.

This may have been Edgar Barrier's best film role. He was a more than competent player, his career probably suffering because he was a bit too much like Warren William who was himself a poor man's John Barrymore. Barrier played equally well as villains or as a good guy as he is here. Another fine role for him even though he only has one scene is in Cyrano de Bergerac where he plays the very sly and all knowing and discerning Cardinal Richelieu.

Of course Phantom of the Opera is really made by the performance of Claude Rains as the mild mannered, inoffensive Eric Claudin, a violinist in the Paris Opera who is crushing out big time on Susanna Foster. We see him first being told after 20 years he's being given the sack by the company. What they describe sounds an awful lot like Carpel Tunnel Syndrome that he's developed which is affecting his playing the violin. Bad news for Susanna Foster also because he's been her secret benefactor in paying for voice lessons.

There isn't any middle aged man who doesn't identify with Rains. Tossed out of his job, the rent due, crushing out big time on a young girl, a lot of us have been there. Then when he thinks an unscrupulous music publisher is stealing a concerto he's written, he loses it completely and kills him. And when acid is thrown in his face disfiguring him, it's a short journey to madness.

Rains really makes us feel for Claudin. In that sense the film is not a horror picture in that we're dealing with monsters or unworldly creatures that Universal so specialized in. The man who becomes the Phantom is all too real, too human, and if we're pushed right, could be any one of us.

Can you do better than opera arias by Nelson Eddy and a classic performance by Claude Rains? I think not.

Reviewed by Harold_Robbins 9 / 10


It's perfectly true that this version isn't Lon Chaney and is watered-down Leroux, but it still has excellent performances and - this was during WW II remember - extraordinarily beautiful production values which resulted in Oscars for Color Cinematography and Art/Set Decoration. I've loved this film since I was a kid, even though back then I had to endure black-and-white telecasts because the local CBS affiliate was unable to obtain a color print that was up to their standards - years later I was lucky enough to see it - twice! in a theatre - as gorgeous as the color is on the DVD, it was even more breathtaking on the big screen. The extra features (the documentary "Phantom Unmasked", which includes a rare interview with the elusive Susannah Foster, and the audio commentary) have only increased my pleasure in watching this film over and over again.

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