Premature Burial


Drama / Horror / Mystery / Thriller

IMDb Rating 6.5 10 3711

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Uploaded By: FREEMAN
April 09, 2021 at 11:28 PM



Ray Milland as Guy Carrell
Alan Napier as Dr. Gideon Gault
Dick Miller as Mole
Hazel Court as Emily Gault
716.69 MB
English 2.0
25 fps
1 hr 17 min
P/S counting...

Movie Reviews

Reviewed by bsmith5552 7 / 10

Under Appreciated Poe Adaptation!

Most of the reviews and comments on "The Premature Burial" tend to dismiss this film as second rate. I don't agree. In fact I think it is as good or better than many of the other Roger Corman produced/directed Edgar Allan Poe adaptations.

The basis of the story is man's fear of death and more specifically of somehow being buried alive. Guy Carrell (Ray Milland) is one such person. He believes that his father was a victim of a premature burial and as such thinks that he will suffer the same fate. He goes so far as to construct a crypt that has many fail safe escape devices in case that he does suffer the same fate as his father.

Carrell marries the beautiful Emily Gault (Hazel Court) and with her help, tries to overcome his fears. Also involved in the mystery is Carrell's sinister sister Kate (Heather Angel), family friend Dr. Miles Archer (Richard Ney) and Emily's father Dr. Gault (Alan Napier). Guy begins to hear eerie sounds and is seemingly tormented by two grave diggers (John Dierkes, Dick Miller) that he encountered earlier. Are there plans afoot to drive poor Guy mad? Who in his household could be behind such a plan? Does he ultimately suffer the fate that he fears most?

Ray Milland was chosen to play the lead because Roger Corman was in a dispute with American International Pictures (AIP) at the time and decided to make the movie with another studio. Vincent Price who starred in most of Corman's Poe adaptations was under contract to AIP and therefore, could not play the lead. Ultimately the dispute was resolved and the picture was eventually released under the AIP banner.

Milland is surprisingly excellent in the lead. He conveys the building paranoia of Guy Carrell very convincingly. The lovely Hazel Court was a veteran of many films in her native England and nicely complements Milland and Heather Angel provides an air of mystery as Guy's sister/

Some useless trivia:

1. Ray Milland and Heather Angel had starred together some 25 years earlier in "Bulldog Drummond Escapes" (1937).

2. Miles Archer was the name of Sam Spade's partner who was murdered at the beginning of "The Maltese Falcon" (1941).

3. Alan Napier achieved greater fame as Alfred the butler in the "Batman" TV series of the 60s.

Reviewed by funkyfry 7 / 10

Milland an excellent alternative to Price

Milland plays an English 19th-century nobleman convinced that hereditary catalepsy will cause him to be buried alive. To escape his conuming fear of this fate, he builds a tomb equipped with numerous safety-valve escape mechanisms -- even a poison to take should all else fail. When his wife (Court) forces him to destroy it, a chain of events occurs with his burial and subsequent rescue via graverobbers (who he promptly slays). Good moments of suspense, good photography by pro Crosby, the usual poor direction of actors not being an obstacle to the film's quality. Surprise ending is a plus.

I thought Milland made a good choice given the unavailability of Price (his contract with AIP was binding only to the extent that he not make any Edgar Allen Poe movies with anyone except AIP, from what I've heard). He is an actor of a type not seen often these days -- he strongly projects his emotions, causing them to be felt by the audience, instead of simply seen. Vincent Price was also an actor of this type; their work in these "cheapie" horror films should not go unnoticed. It brings a power to these films that makes them memorable.

Reviewed by ian-433 7 / 10

Midnight in the garden of good and evil

Intensely gloomy it may be, but an impressive example how a determined cinematic stylist can make a real virtue of a low budget. This was the third of director Roger Corman's AIP chillers based on Poe stories, and the only one not to star Vincent Price. Here, Ray Milland is the protagonist whose family history of catalepsy makes him fear burial alive.

Entirely shot on the sound stage, Corman and his regular art director Danial Haller have created a wonderfully expressionist garden of gnarled trees and shrubs wreathed with dry ice. Even the interior of Milland's mansion seems like a grave, notably in the scene where Hazel Court and Richard Bull take tea in a drawing room with wood-panelled walls, dark green wallpaper, with the dead tree pressing oppressively against the windows.

A number of other directorial touches make even this relatively minor Corman effort a winner. Court's shadow passing phantom-like over the sleeping Milland. The sudden shock moments when the sinister gravediggers Sweeny and Moe appear. And the blue-suffused dream-sequence in which Milland hallucinates the fate he fears most is quite masterfully shot, cut and scored (Ronald Stein).

A dark, dank little gem.

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