Quantum of Solace


Action / Adventure / Thriller

Rotten Tomatoes Critics - Certified Fresh 65%
Rotten Tomatoes Audience - Spilled 58%
IMDb Rating 6.6 10 394035

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Uploaded By: OTTO
December 08, 2012 at 07:44 AM



Daniel Craig as James Bond
Eva Green as Vesper Lynd
Olga Kurylenko as Camille
Gemma Arterton as Strawberry Fields
720p.BLU 1080p.BLU
799.64 MB
English 2.0
23.976 fps
1 hr 46 min
P/S 33 / 267
1.60 GB
English 2.0
23.976 fps
1 hr 46 min
P/S 23 / 121

Movie Reviews

Reviewed by lnvicta 6 / 10

Shoddily directed and horrifically edited, but not a total misfire.

Quantum was my least favorite Bond movie for quite some time. After the over-ambitious Spectre, I look back at Quantum with fondness due to its simplicity. Not necessarily in its plot, but in its treatment of Bond as a character and his coming to terms with Vesper's death. It's an epilogue to Casino Royale. Bond is hellbent on revenge, and it's fun to watch that side of Bond every once in a while - it's like a discount Jason Bourne movie, and that's fine by me. Daniel Craig is great as always, as is Judi Dench and the rest of the supporting cast. The problems with Quantum lie mainly in the directing and editing.

The film opens with a car chase; Bond is being perused by thugs. Why? We find out later, but the fact that we have no information at the start makes it really hard to care about the action that's happening. On top of that, the camera is moving and cutting every half-second, it's nearly impossible to tell what's happening. This is consistent throughout the film, and it almost ruins the movie for me. It's genuinely awful.

We're eventually led to our Bond Girl Camille, who is one of the better Bond Girls actually, and she leads Bond to our main villain, Dominic Greene - a businessman who wants to buy a pipeline to steal Bolivia's water supply. Not exactly a James Bond-level threat, is it? Greene is not an intimidating villain whatsoever, nor is his henchmen Elvis, who is possibly the worst character in the history of cinema, and that's not even an exaggeration. He has a bowl cut and has no interaction with Bond at all. At least Greene has a creepy look in his eye. He's no match for Bond physically in any sense, but their final confrontation is entertaining if only to watch Greene yelp as he's swinging an axe for dear life trying to avoid Bond's fists while his fuel cell-ridden desert hotel explodes behind them. It's a good sequence, and the only standout moment in the film.

The rest plays out like a standard revenge story. Camille wants revenge against General Medrano for killing her family, and Bond wants revenge for Vesper by going after the organization that was blackmailing her. The writing is serviceable, especially considering the writer's strike; it could've been much worse. Where the movie fails is in its directing. It's pretentious and tonally clashes with the dark character study of Bond that the script is going for. It's a shame because there is a lot of promise here. I like the disconnected, emotionally torn Bond. He's kind of a dick, and I like that. He has good chemistry with Camille throughout. Again, if a good director was behind Quantum, I'm sure I would've enjoyed it much more.

What we have here is a Bond-Bourne hybrid that takes itself too seriously to be fun, and doesn't have enough great action to hold your interest. However, it has an intriguing plot, and it's nice to see a low-stakes Bond movie every now and then. It's not the worst Bond movie (bottom 5 maybe), but it's unique enough to be watchable if you're able to look past the editing.

Reviewed by MR_Heraclius 6 / 10


Sandwiched between the triumphant "Return of Bond" in Casino Royale and the fantastic Skyfall, Quantam of Solace was a step back for the franchise. Craig's Bond for once doesn't bed anyone which would have provided the only true action in the film. Ultimately forgettable.

Reviewed by Bloomer 3 / 10

Stop the directors! Stop the editors! I want to get off!

This is the first time I ever came out of a Bond film at the cinema thinking, 'I enjoyed almost none of that.' And there was no mystery for me as to why I felt this way. I didn't have to weigh up the other pros and cons (it is not an unsophisticated film) or think far or deeply. I couldn't stand Quantum Of Solace because ninety-five percent of its action sequences are appallingly directed and edited. Endless, wobbly extreme closeups are cut together too rapidly into a meaningless dirge which prohibits you from discerning anything about the nature of the scene.

How many cars are participating in this car chase? Will I be allowed to glimpse anyone's face in this scene other than Bond's? Will I be allowed to glimpse even Bond's face? Which boat is in front? Where is anything in relation to anything else, ever? And just what was that? That blur in front of me for the past half a second, what the hell was it? The answers to these questions respectively throughout Quantum of Solace are, 'I have no clue, no, no, I don't know, I will never know, I don't know, I still don't know.'

I'm tired of reading any defence for the most extreme incarnation of this style of action coverage. It is purposeless obfuscation. It's anti-exciting, annoying and just plain rubbish. Bond films in particular are known for their history of spectacular action and stunts, and if you briefly consider any eighties Bond film, you'll recall that somewhere in it was a long, held shot of something amazing. People fighting on the back of an airborne plane, racing cars through Paris or pursuing each other down a mountain on skis. Compared to any one of those scenes, everything in Quantum is a disgrace, incapable of engendering marvel or wonder.

Perhaps I should try to be less catastrophic about the direction of cinema in general and just apportion blame directly to the guy from the Bourne films whose second unit did this to Quantum, and to Marc Forster, who directed the film, and either sanctioned or did not repel the Bourne-on-steroids content. Call me Mister Insane, but I demand the context, information and sense of place delivered by even the occasional wide shot. To see how Bond kung-fu'd an elevator full of guys would be cool, right? The event happens in this film, but what you actually see is a camera jerking crazily over ten inch wide patches of dark clothing, to the accompaniment of cabbages being walloped on the soundtrack. Imagine if Bruce Lee tried to get away with this crap. And this wasn't a well considered case of indicating what had just happened by offering the impression of it rather than the depiction of it, it was simply a continuation of the house style.

Quantum Of Solace takes anti-illuminating film-making to new, stupid lows!

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