While this film does vary from the biblical storyline, it's worth watching for Rita alone. She's a vision in all her scenes and very good in her part, culminating in her 'Dance of the Seven Veils', which is a treasure. {I only wish it wasn't montaged with the death of the Baptist.} Rita never looked lovelier than she does here and her Jean Louis costumes are all drop-dead gorgeous. Stewart Granger is pretty good, better than usual, he and Rita having good chemistry here. It's well cast, with actors Charles Laughton and Dame Judith Anderson both excellent as King Herod and Queen Herodias. Arnold Moss is slithering as the evil adviser to Queen Herodias, though Alan Badel as John the Baptist seems more like a wild-eyed madman than a holy prophet. Though there are some filler segments that are not up to the rest of the film, still I think it's excellent entertainment.

Salome certainly isn't a terrible film, far from it. But I do think, as a biblical epic it is flawed in many ways. The costumes and the scenery were a joy to the eyes, and the music was beautiful and a treat to the ears. The acting is pretty good too, with Stewart Granger handsome in his role, and Judith Anderson deliciously cruel as Herodias, though Anderson to be fair has given better performances in classics like And Then There Were None and Rebecca. Charles Laughton gives one of his career's weakest performances, but he is good as King Herod to some extent. The film's portrayal of John the Baptist from Alan Badel was also fine, but Salome's creme de la creme is Rita Hayworth in the title role. Entirely captivating and so beautiful, and she danced beautifully in Dance of the Seven Veils which also happens to be a scene from Richard Strauss's opera of the same name. However, the film's flaws include pedestrian pacing, an underdeveloped script and a story that suffers from a lot of tampering. Overall, deeply flawed, but watchable biblical film, that is worth watching if only for Hayworth and Dance of the Seven Veils. 6/10 Bethany Cox

Don't bother watching this film for historical accuracy. Watch it instead for entertainment value only and to see why Rita Hayworth was worshipped as a Goddess.

You can almost feel the debauchery oozing out of Charles Laughton's Herod as he oils his way through the film. And Judith Anderson's Queen Herodias is completely over the top, but you can see where she's coming from and that she's a product of her circumstances. Stewart Granger is almost out of place here as he's the only one not seriously hamming it up, but he still does a relatively convincing job as Commander Claudius, improving as the film progresses.

I love this film for the wonderful elocution-lesson delivery of the dialogue and the gloriously artificial colouring which give a lovely fantasy recreation of biblical times: even though bad things happen, they just don't seem that bad. And even after all these years Rita Hayworth's dancing is a vision to behold for men and women alike.