Shut Up Little Man! An Audio Misadventure

2011

Comedy / Documentary / Drama

0
IMDb Rating 6.7 10 1241

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Synopsis


Uploaded By: FREEMAN
August 15, 2021 at 08:08 PM

Director

Cast

Mike Mitchell as Self - Film Director
Adolf Hitler as Self
Glenn Shadix as Peter
720p.WEB
824.58 MB
1280*960
English 2.0
NR
25 fps
1 hr 29 min
P/S 15 / 76

Movie Reviews

Reviewed by paul_d_day 4 / 10

Ultimately, A Rationalization

In the end, this movie felt like an excuse to milk the tapes for a little more fame and/or money.

The first 2/3rds nicely chronicle how the whole phenomenon took place. And it truly is fascinating. You get a sense of how strange, serendipitous and organic it must have been to have a personal project turn into a meme.

But the key word is "organic". Other people drove the Pete and Ray story. The partners, correctly, said "go ahead" since, in effect, it wasn't really theirs to control.

It's when they take control that movie inadvertently reveals that, rather than a sweet, hapless pair that fell into something, they've staked their identities on this one thing and they've become kind of self-important assholes.

When Eddie Lee made proclamations about "art" my first thought was - "Really? What other art have you created? Because an artist normally creates more than one piece of art and all you did was tape some guys screaming at each other. Other people picked it up and turned it into something. Duping tapes and giving them to people...well...that's not really art." After that, the pair goes on a quest to do the one thing that art should never do - explain itself. Tracking down Ray, the roommate, felt like a stunt. It was a fishing trip to solve the riddle of whether Pete and Ray were lovers. That's dull and pointless.

Art, imho, allows people to project themselves into and onto what they see. These two, Eddie in particular, seem to want to prove something that doesn't need to be proved. Wrapping up the film with the Pete and Ray dancing sucks everything that's interesting about the relationship out of it.

Reviewed by dadoffourcs 7 / 10

Funny, profane doc is enjoyable

I saw this documentary at the Traverse City (MI) Film Festival. Two Midwestern college grads move to California in 1987, only to find that their new apartment has a pair of profane, arguing drunks living next door. After being awakened repeatedly by their new neighbors' rants, the guys start audio taping the fights. Eventually they collect dozens of hours of material, share bits with their friends, and an underground sensation begins. Tapes, comic strips, a play, and even a puppet show depicting Peter and Ray, the fighting neighbors, emerged throughout the 90's. At one point 3 competing movie productions were planning films about the couple.

The first 30 minutes or so of the doc sets up the scenario and lays the background to the story. It is this part, when we are first introduced to the vulgar fighting couple, where the movie is at its best. Unfortunately the film can't sustain the humor and energy from the first third of the film, as we follow the legal battle to determine who has the rights to the recordings. The film ends with the college guys returning to the scene of their recordings, 20+ years later, and investigating what has happened to their old neighbors. Still, I found the story engrossing and interesting enough to sustain my attention through the second half of the film. The movie is entertaining, but if you're easily offended by profanity look elsewhere!

Reviewed by drqshadow-reviews 5 / 10

Wild Subject Matter Just Doesn't Have the Legs to Carry a Feature

The story of Raymond and Peter, mean drunks and awful roommates whose constant shouting matches - committed to tape by frustrated neighbors - made them an unwitting, unsuspecting pair of underground celebrities. Like the thematically-similar Winnebago Man, the quest to learn more about these clueless cult legends is much more rewarding than what's actually at the end of the trail. While the focus hovers on revisiting the tapes, hearing the men who recorded them reminisce about the glory days, and watching dozens of talking heads throw on a headset and burst into genuine fits of laughter, it's a light, cheery smile a minute. Later, when the inherent humor of the material begins to run out, the whole picture begins to look downright pathetic. Hearing about the legal struggles that surrounded the story's film rights, witnessing the self-important ruminations of the guys who held the mic, seeing how confused and flabbergasted Peter was about the phenomenon, captured on film years later... these actually take away from what made the tapes so enjoyable in the first place. As a momentary distraction, an escape from the mundane to voyeuristically laugh at the worst state of the human condition, the tapes are in their element and at their best. This level of over-inspection only rubs away the veneer and many of the laughs.

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