Action / Adventure / Western

Rotten Tomatoes Audience - Spilled 43%
IMDb Rating 6.1 10 1736

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Uploaded By: FREEMAN
July 10, 2021 at 01:26 AM



Mike Connors as Hatfield
Van Heflin as Marshal Curly Wilcox
Robert Cummings as Henry Gatewood
Red Buttons as Peacock
1.02 GB
English 2.0
23.976 fps
1 hr 54 min
P/S 4 / 9

Movie Reviews

Reviewed by didi-5 6 / 10

OK but what was the point?

Dudley Nichols wrote a great screenplay for a great film - 1939's Stagecoach, that is, directed by John Ford, not the 1960s remake we have here.

As the Ringo Kid, Alex Cord lacks the menace, dynamism, and screen presence of the young John Wayne - meaning that the focus of this Stagecoach has to be on other participants. Ann-Margret is very good as Dallas (the part originally played by Claire Trevor); while Stefanie Powers makes her mark as Mrs Mallory. Bing Crosby is the boozy doc with a heart (not a patch on Thomas Mitchell's turn thirty years earlier but Crosby was always worth watching); while Red Buttons is disappointing as the liquor salesman with eight kids (far better was the twittery Donald Meek).

Using the 1939 screenplay, this film is pretty much a straight remake, but in standard class. Slim Pickens does a fair imitation of Andy Devine as the hapless coach driver, and Bob Cummings is just plain irritating as the crook who has a mysterious case he won't let out of his sight.

So, 'Stagecoach' is OK as a time-filler, but was not needed - why bother when the film has already been made and stands as a classic. Liked the end portraits of the cast though, and always good to see Keenan Wynn, however brief a role he has (and it is pretty brief here), although pivotal.

Reviewed by jpdoherty 6 / 10

Wonderful Cinemascope / Color Remake.

20th Century Fox's STAGECOACH (1966) is of course a remake of the classic 1939 John Ford production of the same name. But this later version, and because of its over cherished antecedents, has at times been rather unfairly pilloried by both critics and public alike. I have to admit myself to being never too fond of Ford's much vaunted western. While admittedly there are some great things in it I always found it quite dull in parts and a number of the supporting players not wholly conducive to their respective roles. Also the Ringo Kid's shootout with the Plummers towards the end is little more than alluded to and merely consists of John Wayne hitting the dirt and letting go with a Winchester. It is a cop-out really and is the movie's most disappointing aspect. On the other hand the later remake has none of these failings. All ablaze in awesome Cinemascope and DeLux color it is a sturdier more strident version of Ernest Haycox's story with a well chosen cast. And here Ringo's showdown gets the full treatment in a brilliantly staged and exciting confrontation which has about 15 minutes screen time. The picture is also graced with a terrific score by the great Jerry Goldsmith. Streets ahead of the creaky Acadamy Award winning music by Richard Hageman from the earlier film. Written for the screen by Joseph Landon from Dudley Nichol's original screenplay it was stylishly and excitingly photographed by William Clothier. His opening aerial shot panning across the lovely Colorado locations is breathtaking as it swoops down to track the speeding Stagecoach on its way to Dry Fork. A wonderful spine tingling few moments! Produced by Martin Rackin for Fox STAGECOACH'66 was perfectly directed by the estimable Gordan Douglas.

Of course we all know the story which concerns a mixed bag of passengers who are thrown together on an arduous Stagecoach journey to Cheyeanne and fearing, among other things, an Indian attack along the way. There is the banished dance hall girl Dallas (Ann Margret giving the performance of her career), Gatewood the wily and mean spirited embezzler (an excellent Robert Cummings), a surprisingly good Bing Crosby as the whiskey sodden MD, a terrific Van Heflin as Curly the Marshal and shotgun guard, the wonderful Slim Pickins as Buck the stage driver (Pickins - an ex wrangler - was the only actor capable of handling a six team of horses) and Alex Cord making an impressive Ringo. The picture does however get a little bogged down in the middle but there is splendid character development in these scenes and once the Indians begin their pursuit of the stagecoach the action never lets up. Unlike the earlier film and the famous chase across the salt flats - here there is much more vegetation as the Stagecoach is pursued over mountains and through wooded areas and streams before a wheel collapses and the hapless travellers must now make a stand against the Indian horde who they eventually manage to beat off. (This whole chase sequence is quite riveting as the brilliant camera shoots from the air one minute and then from under the speeding coach). The stagecoach finally struggles into Cheyeanne and Ringo must now take on Luke Plummer (Keenan Wynn) and his two murderous sons in a blistering action packed shootout in the best tradition of the revenge western. The picture ends, just like the original, with Ringo and Dallas riding off side by side to begin a new life together.

One of the great aspects of STAGECOACH'66 is Jerry Goldsmith's stunning score. The instrumentation is extraordinary! The main title is heard over that amazing aerial shot at the opening and distinctly discerned are jew's-harp, banjo, guitar, a lovely jazzy button accordion, solo trumpet, harmonica and pizzicato strings all lending an authentic and inspired western feel to the picture. Then there is an attractive love theme "I Will Follow" heard in the film's softer moments with Ringo and Dallas which gives their scenes together a tender and persuasive charm. STAGECOACH'66 is one of Jerry Goldsmith's finest scores for a western.

STAGECOACH'66 is a good and exciting western and should not be judged as simply a remake of a classic. It should be enjoyed for its own intrinsic value plus the added quality that was brought to an old story with some fresh innovations and new techniques. And, who knows, perhaps in that way this STAGECOACH could itself become a classic too?

Reviewed by VintageSoul56 9 / 10

This is STILL My Favorite Version of this Film

I remember seeing this in the old Coliseum Theater in Seattle when it came out in 1966. I was 10. I've never gotten over the vibrant colors and the actors that were in it. I've always loved Ann-Margaret. She played the role of Dallas so well. It had some much more than the 1939 Wayne/Ford versions which I don't know why it's a classic. Even seeing it as an adult and liking Golden Age of Hollywood movies, that wasn't one of 'em. The next best version after 1966's, is 1986 with Willie Nelson (yahoo) and his cohorts, Cash, Kristofferson and Jennings. Good fun!

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