The Deadly Trackers

1973

Drama / Western

2
Rotten Tomatoes Audience - Spilled 32%
IMDb Rating 5.7 10 816

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Synopsis


Uploaded By: FREEMAN
September 19, 2021 at 07:34 PM

Director

Cast

Paul Benjamin as Jacob
Al Lettieri as Gutierrez, Mexican Policeman
Neville Brand as Choo Choo
720p.BLU
968.12 MB
1280*720
English 2.0
NR
23.976 fps
1 hr 45 min
P/S 0 / 17

Movie Reviews

Reviewed by bkoganbing 6 / 10

Descending to the Same Level as Whom You Hunt

The big surprise in The Deadly Trackers is Rod Taylor's emergence as one mean and nasty villain here. Although he had played a bad guy early in his career in Hell on Frisco Bay as a contract killer, the public was used to Rod as the civilized fellow bringing a sense of order to a future world in The Time Machine. He's anything, but civilized in The Deadly Trackers.

Richard Harris is a sheriff with some rather strange notions about capture instead of killing in a lawless land. Rod Taylor and his gang rob the bank in Harris's town and kill the bank manager on a whim. Then when Harris tries to capture and use reason with Taylor, Harris's wife and son become dead also.

That gives our sheriff a whole new outlook and he hunts the gang into Mexico where he teams up with a federale played by Al Lettieri who has all the ideas Harris used to have.

This was the farewell performance of Al Lettieri and interesting that he went out as a good guy here. He created a great group of villains in The Godfather, McQ, Mr. Majestyk, and The Getaway. He was a great talent.

Some attention was paid to the fact that Harris is an Irish sheriff and for that matter Rod Taylor is Australian. But America is in fact a nation of immigrants and this should be no stranger than Errol Flynn's emergence as a western star in the heyday of the studio.

Reviewed by bushrod56 5 / 10

Trashy but memorable

Idealistic Sheriff turned vengeance-crazed whirlwind down Mexico way ( where as all Western fans know, anything goes). Richard Harris brings his unique (not to be confused with good) acting talents to the role. There's also Rod Taylor as the gross, ultra-violent and competent gang leader with Neville Brand complete with iron rail instead of a hand (yea, right!), William Smith doing one of his muscled, vacant-gazed idiot numbers and some black, dandyish gambler who I felt sorry for being subjected to the other gang members crap. The late Al Lettierri plays a decent, by the book Mexican Federale, which is a shame because he's much better at irrational, explosively violent sickos. A lot of hand-held camera work in this movie (and I don't just mean POV shots) gives it a low budget look, but the Mexican locales help out some. So why my interest in this film? Maybe it's just the shear down and dirty intensity with which Harris goes after that down and dirty gang. SPOILER- The scene where he throws an injured Lettierri through the Bar window, blasts the black gambler to smithereens and starts to kick a** and take names with the bar patrons is almost Apocalyptic. Rod Taylor exudes a very unpredictable, terrible menace in this film, too. Recommended for fans of sweaty westerns, but with no dubbed voiced Italian actors.

Reviewed by classicsoncall 7 / 10

"We must not allow guns to do our thinking for us".

I find it interesting how I can reconcile my feelings about this film. On the one hand, it's a boldly intense revenge Western, while on the other, there's so much nonsense going on that with any serious scrutiny one might dismiss it as gross caricature. Take the character of Choo-Choo (Neville Beand) for instance - how exactly did 1880's medical technology manage to graft a chunk of railroad track to his right arm? Then there's Gutierrez (Al Lettieiri), the Mexican Federale - you mean to tell me that he gets shot off his horse, does a forty foot swan dive over a cliff, and some time later manages to get up and walk away? I had him a goner, but if he could have survived, how so without a broken back?

Then there's the main character himself, Sheriff Kilpatrick, ably portrayed by Richard Harris. Now I know it doesn't take much of a stretch to go from pacifist to hell bent avenger after seeing your family wiped out, but how about some discretion. Kilpatrick just jumps right in without thought of consequences, like jumping that big lug Schoolboy (William Smith). OK, I know that had to work out to keep the story going, but gee, the guy looked like he just finished a workout at World Gym.

There's something else about Kilpatrick - did you notice that after every one of his bloody encounters (that first one with Schoolboy was the worst), he appears in the next scene with a clean set of duds. I didn't notice any Chinese laundries along the way, so it left me wondering how he might have managed that. Maybe I'm being picky, but didn't anybody else think about that?

Here's something neat though - I liked the idea that Kilpatrick had the town of Santa Rosa so organized that they were able to back him up at a moment's notice with all hands on deck. If these were the citizens of Lago, there would have been no rest of the story in "High Plains Drifter". Something to think about.

As for the finale, I'm not buying it. After all that Kilpatrick and Gutierrez had gone through to catch up with Brand (Rod Taylor), the Mexican lawman would just shoot him in the back as he rode away? Where's the code of honor among lawmen? Even if Gutierrez wanted to be hard core by the book with Kilpatrick, by the final showdown with Brand it was going to be self defense any way you slice it. So I have to ask, was that really necessary?

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