The Disappearance of Eleanor Rigby: Her


Action / Drama / Romance


Uploaded By: OTTO
January 19, 2015 at 02:38 PM



Jessica Chastain as Eleanor Rigby
James McAvoy as Conor Ludlow
Bill Hader as Stuart
Viola Davis as Professor Lillian Friedman
810.54 MB
English 2.0
23.976 fps
1 hr 40 min
P/S 4 / 25

Movie Reviews

Reviewed by axapvov 2 / 10

Immature and dull, it adds absolutely nothing to the matter.

William Hurt and Isabelle Huppert are by far the best thing on this. Every time they appear, it gets interesting, literally, including a Hurt´s monologue near the end that proves that, given material, good actors deliver. Huppert, of course, is able to make a fly´s flight interesting. They give a lesson to Jessica Chastain and James McAvoy, which is kind of depressing since they´re both on the upper side of their generation. On the good hand, it´s not really their fault. The script is a disaster. The grief process is managed as if they were affected teenagers instead of young parents. At the beginning of the film I was commited but I didn´t feel anything whatsoever, except boredom. It doesn´t add absolutely anything to the matter, emotionally, psychologically or intellectually. I still don´t understand why does the teacher get so acquainted so quick with Eleanor, I guess the writer was one character short.

The same gimmick has been done over 40 years ago, at the very least, in "Divorce His - Divorce Hers", a failed TV movie that is still better than this in every aspect. Don´t get me started on the deceitfulness and hipsterism of the title. I had low expectations and I´m a big fan of everyone in the cast. This was very disappointing.

Reviewed by Tanay Chaudhari 7 / 10

"The Disappearance of Eleanor Rigby: Her" - Revisiting "Blue Valentine" with a Lady's story

"… If I am estranged from myself, I am likewise a stranger to others." - Brennan Manning

While watching this female-centered chapter of the trilogy, one could find out in a short-while our protagonists might be going around in circles and not reaching a fair ground of conclusion. Eleanor(Jessica Chastain) and her estranged husband, Connor(James McAvoy), might still be in love but given their history of tragedy, she avoided meeting halfway or even less to make it work again about them. Not because that Eleanor was scared or abruptly commitment- phobic, but profoundly pained by her past of which he was an integral part, thus, she wanted to leave all of it back. At the same time, Conor tried hard only to give-up as well, and unwillingly accepting their estrangement.

Around here, this 'drama-romance' seemed to be moving towards a 'tragedy'; however, around the conclusion the protagonists do meet- up and talk their hearts out, and amidst their sorrow, understand to move on and away. However, in the aftermath their future-association was left on the viewer's discretion.

In the film, 'escapism' was delicately placed and utilised like a furbished backdrop to the plot, however, in a non-negative connotation; such as - Eleanor adored her nephew, and knew that it won't give her solace for long and definitely not suffice for her child. At the same time, we notice through her dialogues that her 'part-broken, part-recovering' viewpoints towards her environment and everyone around her, as she seemed so hopeless in shedding her pain, making her more isolated from any compassion.

Similarly, she found mirrors too pinching and bothersome; though she ended up discovering one (more of her own 'reflection') in her anthropology professor (Viola Davis), who also "stayed hard" towards life, much like her. They talk about their short-comings and form a likely companionship, while jibing together at their likes and dislikes making it seem like a 'hermetically sealed, surreal experience' between them. They mostly never reached any solid conclusions, but they always found each other. It is a visual treat to watch Chastain and Davis deliver their scenes together, with characteristically mouthing same set of lines time-after-time.

"The Disappearance of Eleanor Rigby: Her" is way better delivered than the "Them" chapter in all aspects – especially in its writing (Ned Benson) and editing (Kristina Bonet, "Carlito's Way"). With the exceptions of supportive vignettes, the drama seems genuine on many aspects and also, tends to generate a fair deal of empathy towards the female-protagonist and also, some displeasure.

Verdict – Watchable, mainly because of a near-perfect on-screen chemistry between James McAvoy and Jessica Chastain.

Rating – 7/10

Reviewed by NateWatchesCoolMovies 8 / 10

Complex, unique film

The Disppearance Of Eleanor Rigby (nothing to do with the Beatles song except a brief reference by a character) is a thoughtful, exceptionally well made film about a couple dealing with an immense tragedy that has put a weight on their relationship, forcing them to take some time apart. James Macavoy, an actor who continues to impress, and Jessica Chastain, always amazing, play the two with diligent feeling and palpable hurt. Now, there's three different edits of the film. His, which is mostly his side of events following the breakup, where Macavoy takes center stage and we see his life. Hers, which shows us where Chastain ends up, and how she is coping. The third version, Theirs, is a truncated version of both stories, leaving out a lot of key scenes and important beats. His and Hers together come out to about four hours of movie watching, but if you're going to invest yourself in their story, you owe it to you self to watch them both, starting with His. Because there is four hours of their story, they are allowed to develop and interact in a fashion that feels far more genuine and lifelike than a rushed two and a half hour movie. Macavoy is an aspiring cook who runs a small café with his friend and sous chef (Bill Hader, fiercely funny) and yearns for Chastain, angry at life for throwing them the curveball it did. He moves in with his father (Ciaran Hinds gives phenomenal work), a successful restauranteer. Chastain moves in with her folks as well, played by Isabelle Huppert and William Hurt. Hurt, who hasn't been around that much lately, makes up for that by anchoring a key scene with Chastain. It's interesting that he gets to play her father in a film, because they both share a measured, baleful, hypnotic grace in their work, and seeing them interacting was a treat for me, being an immense fan of both their work. Now, the film is more than the sum of its parts, but I mean that in a good way, since the parts themselves are so brilliantly done as well. It's what we expect from the romantic drama Avenue, but because we see an extended fluidity to the work, a narrative free from the fractured conventions of usual editing styles, we feel right there with our two protagonists, every step of the way. More films should break the mold and try to be more than just segmented movies, and use immersion techniques like this to draw us in. Coupled with that unique method of delivery comes a sincere commitment from actors and director alike, to explore an aspect of life and relationships that many see as unpleasant or upsetting, yet can still make for beautiful work. Well worth a watch.

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