The Lovers

1958 [FRENCH]

Drama / Romance

3
IMDb Rating 7.2 10 5042

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Synopsis


Uploaded By: FREEMAN
July 15, 2021 at 10:23 PM

Director

Cast

Jeanne Moreau as Jeanne Tournier
720p.BLU 1080p.BLU
833.05 MB
1280*544
fre 2.0
NR
24 fps
1 hr 30 min
P/S 2 / 9
1.51 GB
1920*816
fre 2.0
NR
24 fps
1 hr 30 min
P/S 1 / 14

Movie Reviews

Reviewed by jsobre-1 10 / 10

Desperate Housewife?????

As a twenty-something, I saw this film with my boyfriend of the time, and as soon as it was over, we rushed home to do it ourselves. In the early-to-mid sixties, "Les Amants" was eroticism that was certainly explicit--albeit tastefully explicit, to our naive eyes. Made when Malle was twenty-five, with the young Jeanne Moreau, to the romantic Sextette that Brahams wrote when he was 27, this was the perfect sexy romance for its time and place.

I just saw it again, now watching as a sixty-something in an age in which "Les Amants" would probably get an R rating--and a tame one. I'm jaded too. It's hard to feel much sympathy for a desperate housewife of the upper middle class as she battles ennui. But the love sequence is still a knockout. You can't stop to think about it as the lovers, who as yet barely know each other except for their terrific physical attraction, go from garden-to-boat- to bedroom; it's still erotic in its implication. the garden is too lovely to be true, the boat is white and clean, and Moreau wears her pearl necklace throughout, but the message of a woman who has only known pedestrian sex being introduced for the first time to the Real Thing rang a bell with me (I had a similar experience, minus the garden, the pearls and the boat). I sat there bawling my head off-- with nostalgia this time for an unrecoverable experience-- through the whole sequence.

But the ending also rings true. What do you do when you come up for air?

From one of the interviews on the CD, I learned that the plot was based on an 18th century story, and I can readily see that, just as could see the fin-de-siècle Viennese origin of Kubrick's "Eyes Wide Shut." In neither case does the contemporary updating of the tales make them any less effective.

Reviewed by zolaaar 7 / 10

The Lovers

What you see here is Jeanne Moreau's famous first filmic female orgasm and director Louis Malle's second feature film. Les amants / The Lovers was at that time a controversial study of bourgeois emptiness and sexual yearnings. The (as widely described) inscrutable Moreau plays a high society wife who is bored by her rich husband, has a lover, smart friends and a daughter. On one night she makes passionate love with a young student of a few hours acquaintance, and leaves it all for a new life.

If it now looks too much like an angry young sensualist's movie, the combination of a body language that is highly pleasurable, the soundtrack of Brahms, and the Henri Decaë's velvety monochrome, ravishing photography proves hard to resist. Her second collaboration with director Malle shows once more, what a wonderful screen persona Moreau is: commanding, willful, sultry.

Reviewed by anagram14 10 / 10

Censored for all the wrong reasons

Wait a minute. Did Les Amants really get into the trouble it did because of the love scene in the last half-hour? The scene in itself is nothing. However, here we have a married woman in the 1950s, committing adultery not once but twice, and without remorse. If Vivant and Malle had told their tale the accepted way, the situation would have led to bloody murder, and given the grim coldness between Jeanne and her husband, that's exactly what the audience expects. But - SPOILER: the authors opted for a happy ending. So of course they were seen as condoning adultery. Violence, it seems, would have been no big deal by comparison...

Happy ending? Well, not quite. Les Amants is odd in another respect: while it is all about the transforming potential of falling in love, it idealizes the process far less than most so-called romantic comedies do. As the blissful couple purr out of the picture in Bernard's 2CV, we hear a sage voice-over comment on the uncertainty of their future. This echoes the background of the opening credits, a fictitious map of the land of love, depicting (as far as my memory serves me) a river named Affection, passing through many little hills such as Respect, Dedication etc., far from the Lake of Indifference, and flowing to a Dangerous Sea and to Terra Incognita. In this sense, there's more to the story than "beautiful socialite meets handsome young guy". This is no fairy-tale. It's about stuff like living in the moment, openness, and courage - and about the archetypal meeting of animus and anima. Or should I say projection? Fuhgeddabahdit! Apart from all the crap I'm giving you here, Malle plus Moreau equals gorgeous movies. Go see for yourself.

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