Omega is the last letter of the Greek alphabet, so the "Omega" Man is a round-a-bout way of saying The "Last" Man. Indeed, this violent science fiction actioner is a remake of a 1964 movie called The Last Man On Earth; in this version Charlton Heston assumes the role played by Vincent Price in the earlier film. It is a depressing - and in many ways thought-provoking - story set in a future where the human population has been wiped out.
Robert Neville (Heston) is the only remaining survivor of a worldwide plague, other than a race of vampiric mutants who come out at night. When the plague was first reaching epidemic proportions, numerous scientists were given serums to try - Neville was the one who got the correct serum, but he never managed to get back to HQ in time to report the good news. Most of the world's people went on to be killed by the plague, but those who survived have evolved into light-sensitive mutants. Every day, Neville drives around the empty streets of LA scavenging for food, fuel and useful objects; every night he returns to his ultra high-security house from which he fends off the creepy minions who come out to taunt him and, perhaps, one day kill him. The mutants are led by Matthias (Anthony Zerbe), formerly a TV newsreader, now an anti-technology crusader who encourages his followers to destroy the scientific and technological items they find, as he blames meddling scientists for ultimately decimating the world's population.
What's so chilling about The Omega Man is that Neville is gradually shown to be the real "mutant". He is the only man left from the world as it WAS; Zerbe and his mutant hordes are the evolutionary creatures of the world as it IS. Distressing as it is, The Omega Man is saying that in the event of a worldwide catastrophe human life would find a way to prevail, but the remnants of previous human life might need eradicating first. From the sensational opening - in which Heston screeches his car to a halt on an empty street and starts shooting at an unseen being in a skyscraper - to the climax (which is simultaneously happy AND sad), The Omega Man constantly raises questions and manipulates our fears. It has weaknesses - sometimes the metaphors and morals are too heavy-handed; parts of the film are slow-going, with an excess of talk which merely goes over plot details already mentioned; there are dated elements (music, decor, costumes, vehicles, slang speech) which deny the film its topicality over 30 years on. But, in spite of all that, The Omega Man remains a worthwhile sci-fi actioner and another cult flick in the Charlton Heston "shock sci-fi" canon (see also Planet of the Apes '68 and Soylent Green '73).
The Omega Man
1971
Action / Drama / Sci-Fi / Thriller

The Omega Man
1971
Action / Drama / Sci-Fi / Thriller
Synopsis
Due to an experimental vaccine, Dr. Robert Neville is the only survivor of an apocalyptic war waged with biological weapons. The plague caused by the war has killed everyone else except for a few hundred deformed, nocturnal people calling themselves "The Family". The plague has caused them to become sensitive to light, as well as homicidally psychotic. They believe science and technology to be the cause of the war and their punishment, and Neville, as the last symbol of science, the old world, and a "user of the wheel", must die. Neville, using electricity, machinery, and science attempts to hold them at bay.
Uploaded By: FREEMAN
May 05, 2019 at 02:30 PM
Director
Movie Reviews
Thought-provoking, violent sci-fi story.
Flawed Wonderland
A film that can't help but aim too high, "The Omega Man" suffers from the very thing that makes it great. Set in a post-apocalyptic future (for the audience of 1971) the film attempts to show a world populated by a single solitary man. Well, a man and a cult of malcontented zombie/mutant/vampire beings. Robert Neville (Heston) is the lone survivor of a germ war that turned the population of the world into freaks. Based on the amazingly brilliant book "I Am Legend" by Richard Matheson, the film shares most of the qualities of the book, yet excludes the portions that make "Legend" fantastic.
The idea of being the last man is intriguing. I used to fantasize about being Neville as a child (probably not the healthiest thing for a kid). Neville has paradise, but with the highest price possible. He can have anything he wants, but no one to share it with. And come night time, he must hide in his fortress away from the angry mob of mutants.
The apocalyptic world that makes the first half so captivating is destroyed by the second half's plot device. I won't go into details for those who haven't seen it. However, I will say the film starts to slide downhill from the mid-way point. But the lesser parts can be enjoyed as early 70's camp.
Even with its faults, "The Omega Man" is a great Sci-fi movie. It also gives Heston a chance to play his quintessential role of a man at the end of civilization. The film's weaknesses don't ruin the experience entirely. It is a film that myself and my friends talk about to this day despite the fact that most of my friends only saw it once or twice (when forced by me).
Related note: I Am Legend was also made into the film "The Last Man on Earth" starring Vincent Price. "Omega Man" is discussed in the first scene of indie-film classic "Slacker."
Inspirational, hopeful, tragic, brilliant...a masterpiece
The greatest movie of all time?? Well, probably not, but certainly the most influential on my life back in the mid 70s when I first caught it on British television. Charlton Heston is awesome in his role of Robert Neville, and the musical score is outstanding. The story itself may seem a little dated these days, but its religious analogies stand up well even in today's more effects laden times.
SPOILERS: The final sequence, as Neville is brutally killed by the leader of the vampire community Matthias (Anthony Zerbe) came as a genuine shock to me, but its underlying hopefulness for the future at least compensates some way for this. I cried and cried when Neville died. Even now when I watch the film, the bleak feeling which runs as an undercurrent throughout, never ceases to move me with the tragedy of the ending.
This was Heston's best, in my opinion even surpassing Planet of the Apes, and many times more entertaining than the dreadful Soylent Green (sorry but I really didn't like that one). I really believe that the films you see when you are between 12 and 16 remain with you forever, because its the most impressionable time of your life. At least it was for me. I love this film, always did, always will. Quite honestly 10 out of 10. Though I may well be the only person who thinks this....lol