The Talented Mr. Ripley


Action / Crime / Drama / Thriller

Rotten Tomatoes Critics - Certified Fresh 83%
Rotten Tomatoes Audience - Upright 80%
IMDb Rating 7.4 10 175667


Uploaded By: OTTO
August 16, 2011 at 11:07 PM


Cate Blanchett as Meredith Logue
Philip Seymour Hoffman as Freddie Miles
Matt Damon as Tom Ripley
Jude Law as Dickie Greenleaf
797.54 MB
English 2.0
23.976 fps
12 hr 0 min
P/S 10 / 144

Movie Reviews

Reviewed by nathan19 9 / 10

Duality makes this film an heir to Hitchcock's classics.

Duality -- the ability to be one person in a certain situation, and another in another -- is the underlying and pervading theme of "The Talented Mr. Ripley." It is a theme that sparks the central conflict of the picture, that influences each of the main character's decisions and actions. Each character in the film is either pretending to be something else, or playing directly to a superficial identity. The film unravels each of the character's motivations for doing so, and in so doing strips away the layers of reality we construct for ourselves. Characters either uncover the explicit duality of their lives (Cate Blanchette's willingness to admit that she travels under another name), or have it uncovered for them (Tom Ripley). When each character is laid bare, when each character is most fully themselves, when each character stops acting and pretending, they are undone.

The film presents a main character who does his best to pursue another life -- but he cannot ultimately follow through with it. We are trapped by who we are, aren't we? Gwyneth tries to become Dickie's ideal woman, to avoid asking him to settle down, but she cannot -- she wants the home and the family. This is her undoing -- she weeps in the film, "I must have pressured him". Dickie can't escape the fact that he loves the nightlife -- that he strays, that his attention only lasts as long as the diversion. He says he will marry Gwyneth, but we know that his eye can never stop roaming. This is his undoing. Dickie's pal -- superficially polite, while snide and arrogant at the same time -- is much smarter than he appears, which leads to his undoing as well. When each of the characters lets their guard down and becomes who they are, it destroys them. Each of the characters has a tragic flaw that they try to ignore, or play to, a flaw which undoes the perfect lives they all pursue.

The ironic twist is that Tom Ripley is the catalyst for all of this -- yet, his tragic flaw is that he has no flaw. While each of the main characters has an identity they are running from, Ripley HAS no identity to speak of. He starts out pretending, and he pretends through the entire film. Who IS Tom Ripley? Even Tom himself wants to know. One would think that this would enable him to become the perfect actor -- when you paint on a blank canvas, one would think you can paint anything. But even Tom, blank as he is, distills down to someone -- even if it is a blank canvas, a "real nobody." And it is not only himself he is unsure of -- it is the entire world around him. Among his first lines in the film is a line uttered while listening to a jazz record -- he mumbles to himself, "Can't tell if it's a woman or a man." It is this uncertainty that informs the world he sees, and how he relates to it. Is Tom gay or straight? Is he evil or good? Even Tom doesn't know.

The film points out that we cannot run from our own darker half. We are all tempted to become someone else -- anyone who has been made fun of in school, who has longed for the life of the rich and famous, can identify with this The enemy is not without, it is within. It is this same duality which haunted and tormented so many of Hitchock's characters, most notably (but not exclusively) Norman Bates in "Psycho." "The Talented Mr. Ripley" is a worthy heir to that film classic in its ability to get the audience to sympathize and empathize with Tom. We feel his love for Dickie Greenleaf -- we feel his frustration at being shut out of his life -- we feel the awkwardness of being trapped in a situation that was never intended. As we watched Marion Crane's car pause in the swamp and waited breathlessly, perversely hoping it would sink and allow Norman's mother to get away with murder, so too we watch Tom Ripley descend into darkness, and when the cops arrive at his hotel, we wait breathlessly with Tom, hoping he will get away.

Duality is present within us all... and while we are taught "to thine own self be true," in this film it is only when we are true to ourselves, that true pain comes.

Reviewed by HotToastyRag 9 / 10

Tour-de-force performance by Matt Damon

Jude Law was nominated for an Oscar for his role in The Talented Mr. Ripley; Matt Damon was not. To this day, I think there was a mistake while submitting the "for your consideration" names to the Academy. Jude Law wasn't really given anything to do in the film, besides look incredibly handsome and emit an aura of appeal. Matt Damon, the title character, gave a tour-de-force performance deserving of a win-the only way to explain his lack of a nomination is if there was a mistake.

Matt Damon plays a very troubled young man who longs for attention, acceptance, and love. He doesn't feel those things when he's himself; the only way he feels complete and alive is when he pretends to be someone else. For example, he borrows a fancy dinner jacket and attends a party, someone mistakes him for a well-to-do Princeton graduate, and he transforms into the man he's thought to be. He enjoys his disguise and likes it infinitely better than his own skin. The subtleties Matt Damon brings to his performance are breathtaking. A lesser actor would have played the part differently, and the film-despite Anthony Minghella's beautiful directing and Gabriel Yared's intense music-would have felt a little cheap. Matt Damon truly becomes Mr. Ripley, just as convincingly as Mr. Ripley becomes other people. You can see every reason behind his behavior clearly on his face, and every hurt, shame, doubt, and fear is communicated delicately between him and the camera. It's an incredible performance.

A host of familiar faces join the supporting cast, including Cate Blanchett, James Rebhorn, Philip Seymour Hoffman, Philip Baker Hall, Jack Davenport, Celia Weston, and Gwyneth Paltrow, as Jude Law's girlfriend. I've always felt Gwyneth to be exceptionally talented at blending into her roles. She's just as convincing in Emma as she is in Shallow Hal, and in this film, she seems completely at home in her 1950s surroundings.

Depending on how dark you like your movies, you might hate The Talented Mr. Ripley or you might add it to your collection to watch on dark, spooky evenings. I've seen it twice, because I love films with fantastic acting in them. Just be aware it isn't for the faint of heart, and there are some pretty upsetting scenes in it.

Kiddy warning: Obviously, you have control over your own children. However, due to violence, I wouldn't let my kids watch it.

Reviewed by peter_lantz 4 / 10

Top Notch Acting, Subpar Story...

I'm apparently going against the grain of most of the reviews on IMDb, but I'm OK with that, I think it's good to have diverse opinions.

I had watched this movie in great anticipation as all I've heard is that this is one of the best movies. I'll start with the things I liked.

What I liked:

All the acting is done very very well, there are for sure some great acting by some AAA actors. Matt Damon and Jude Law and other actors own their roles and are very believable. The setting was amazing as well, and very immersive.

What I disliked:

I didn't like the plot at all. I think the writers for the movie were confused on where they wanted to take the film. I saw the Matt Damon character eventually taking over the Jude Law's character's life, but I was disappointed with how that all happened. Granted, I haven't read the book, so I don't know the source material, so it probably follows the source material, which I'm sure I wouldn't have been a fan of either. I was wishing they would have capitalized on the abilities of copying people a little more than they did. I felt that was wasted on him trying to cover his tracks, which it turns out he wasn't very talented at. What I was kinda hoping the movie would do was the, Matt Damon's character had been studying Jude's character ever since he'd been there. The letters he was sending were actually letters to slowly take over Jude's life so by the time Jude was about to call it quits, on paper, Matt Damon was Jude Law, and Matt Damon had everything, the money, girl, house, etc. In the end Matt Damon just looked like a creepy stupid serial killer, that wasn't 'Talented' at all and will eventually get caught, because he's dumb. I hated the ending, and while I understand not every story has a happy ending, I was hoping he'd get caught and have the book thrown at him. The whole back story of why Jude's character thrown in there and the investigator giving the wink and the nod to Matt Damon to not say anything didn't work for me.

I gave this film a 4 because the actors/acting is the only thing that makes this movie watchable for me. If this wasn't on point, it would have been a 1 for sure.

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