The Woman in the Window

1944

Crime / Drama / Film-Noir / Mystery / Thriller

7
Rotten Tomatoes Critics - Certified Fresh 91%
Rotten Tomatoes Audience - Upright 84%
IMDb Rating 7.7 10 13294

Synopsis


Uploaded By: FREEMAN
June 29, 2018 at 01:10 AM

Director

Cast

Robert Blake as Dickie Wanley
Edward G. Robinson as Professor Richard Wanley
Joan Bennett as Alice Reed
Raymond Massey as Dist. Atty. Frank Lalor
720p.BLU 1080p.BLU
827.24 MB
968*720
English 2.0
NR
23.976 fps
1 hr 47 min
P/S 7 / 5
1.57 GB
1440*1072
English 2.0
NR
23.976 fps
1 hr 47 min
P/S 10 / 40

Movie Reviews

Reviewed by kenjha 8 / 10

Fine Film Noir

Following a chance meeting with a beautiful young woman, a forty-something professor unwittingly becomes involved in murder and blackmail while his family is away on vacation. Robinson is wonderful as always as the professor who is in over his head because of a moment's indiscretion. Bennett looks stunningly beautiful as the kind of woman who can lead any man astray. Duryea is appropriately slimy as a blackmailer. Lang is at the top of his form in this atmospheric and efficiently made film noir. Some feel cheated by the ending but it is actually quite clever. Interestingly enough, Lang reunited with Robinson, Bennett, and Duryea in his next film, "Scarlet Street."

Reviewed by finemot 9 / 10

Film lovers get a window seat to great storytelling.

It's hard to tell which element of "The Woman in the Window" (1944) contributes most to its excellence: script, direction, casting, performances, lighting, cinematography, scoring. So, it's probably safe to say, "All of the above!" "TWITW" introduces us to Assoc. Prof. Richard Wanley (Edward G. Robinson) of Gotham College, who has just seen his wife and two kids (young Robert Blake is "Dickie" Wanley) off for a two week summer vacation. Just prior to entering his men's club, he is captivated by the portrait of a beautiful woman in the display window of a neighboring storefront. His club member friends, District Attorney Frank Lalor (Raymond Massey) and surgeon Dr. Barkstane (Edmond Breon) notice him staring at the portrait and indulge the temporary "bachelor professor" in some good-natured ribbing before the three enter the club for drinks and conversation. As the evenings winds down, the doctor having subscribed some medication for Prof. Wanley who has complained of fatigue, the colleagues leave. Prof. Wanley asks for a 10:30 PM call in the event that he dozes off while reading in his club chair. Upon leaving the club, Wanley again stops at the portrait; and standing behind him is the model, Alice Reed (Joan Bennett), who posed for the artist. She admits that she frequently comes to the spot to check out people's rections to the painting. The small talk leads the two to an innocent drink at a club followed by a visit to her sumptuous apartment, where she shows Wanley other sketches by the artist.

The intrusion of an insanely jealous lover leads to struggle, murder (in self-defense) and a quandary: How do two non-merderous strangers go about covering up a murder, disposing of a body (a large one), and manage to trust eachother in the process? The body turns out to be the type of man who warrants headlines. Wanley's friendship with the D.A. gets him invited on a "field trip" to the spot where the body was found. Here we meet the Chief Inspector, beautifully portrayed by Thomas E. Jackson). Through a series of delightfully handled mishaps, the gentle professor manages to exhibit elements about himself which would conspire to make him a prime suspect had the very prospect not been so ludicrous. A sleazy, but extremely clever blackmailer (Dan Duryea) is introduced. How he becomes involved, we'll leave unsaid, so as not to spoil some of the film's outstanding storytelling. The characters are three dimensional. Massey, as the D.A. is both a condescending stuffed-shirt and a caring friend. Jackson, as the Inspector is superbly understated, an affable exterior housing a brilliant mind for detection. Bennett and Duryea are both fine, although some of the dialog between them could easily have been cut to the improvement of the film overall. Robinson is excellent as the unassuming, bright but vulnerable professor. The Nunnally Johnson-Arthur Lange script is right-on, with the noted exceptions. Director Fritz Lang has created a taut, superb suspense tale. "The Woman in the Window" could easily have had either of two endings, one tragically ironic, one concocted to satisfy audiences in search of more delectably amusing resolution. I'll never tell. This film deserves any healthy debate about its ending every bit as much now, in the year 2000, as it did during its first release in 1944.

Reviewed by Ted-101 8 / 10

Middle Aged Men Better Stick To Looking At Landscapes.

This film puts forward the theory that all middle-aged men are destined to "play-the-sap" for young women, and since it must come to pass, it is prudent to do so in ones fantasies, not in reality. It's a blast listening to Prof. Wanley, (Edward G. Robinson), District Attorney Frank Loler, (Raymond Massey), and Dr. Barkstane, (Edmund Breon), all in their late 40's to late 50's, talking about young women as though they were living bomb-shells. Why, if a middle-aged man gets within 30 feet of a pretty young woman, she could mesmerize him with a glance, make him give her all his possessions for a single kiss, and of course, eventually destroy him completely...with one hand tied behind her back. Indeed, Edmund Breon, who played a middle-aged music box collector in the excellent Rathbone/Sherlock Holmes film, "Dressed To Kill", fell under the thrall of beautiful villainess Patricia Morison in that film, and paid with his life. What got our brave trio talking about young women in the first place is the compelling painting of a beautiful young woman in an art gallery window, which is next store to their club. They all fell in love with her at first sight, with Robinson the last to see it, and the last to have his heart pierced. Massey and Breon are watching him, and start giving Robinson the needle. "We saw her first, so you stay out of it."

It is Robinson's destiny to meet the woman in the portrait, Alice Reed, played wonderfully by Joan Bennett. Of course he's wary, and full of reservations at this chance meeting. To his credit, he doesn't make a fool out of himself, and Bennett genuinely seems to like him. What Robinson does so effectively in this film is convey very subtly, that he can never really quite accept even the possibility that he could hold this beautiful woman's attention, no matter how charming or interesting he really is. It's never stated but implied, that he thinks she's doing him a favor by making friends with him.

Of course, this encounter leads to trouble, very serious trouble, and the "Woman In The Window" ventures into the dark waters of blackmail and murder. District Attorney Lalor (Massey) is in charge of the case, making things even more intriguing. It is a compelling film, and Robinson & Bennett are superb in their scenes together. I'll leave you to discover just what kind of woman the mysterious Alice Reed turns out to be. This is a very interesting and enjoyable film.

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